What’s not to like? Ernest Gellner
Stefan Collini, 2 June 2011
’s That’s Offensive!: Criticism, Identity, Respect came out earlier this year.
Stefan Collini is the author of Absent Minds: Intellectuals in Britain, What Are Universities For? and The Nostalgic Imagination: History in English Criticism. His edition of Orwell’s Selected Essays was published in 2021. He is an emeritus professor of intellectual history and English literature at Cambridge.
’s That’s Offensive!: Criticism, Identity, Respect came out earlier this year.
Much of the initial response to the Browne Report seems to have missed the point. Its proposals have been discussed almost entirely in terms of ‘a rise in fees’. Analysis has largely concentrated on the amount graduates might pay and on which social groups may gain or lose by comparison with the present system. In other words, the discussion has focused narrowly on the potential financial implications for the individual student, and here it should be recognised that some of the details of Browne’s proposed system of graduate contributions to the cost of fees are, if his premises are granted, an improvement on the present patchwork arrangements. But the report proposes a far, far more fundamental change to the way universities are financed than is suggested by this concentration on income thresholds and repayment rates. Essentially, Browne is contending that we should no longer think of higher education as the provision of a public good.
Stefan Collini writes: ‘Yes, I’d like that very much. That really would be something to look forward to.’ Frank was already weakened and wasted by throat cancer, but my suggestion that we go to watch some cricket at Fenner’s did seem genuinely to appeal to him. There wasn’t much to look forward to by this point. On the appointed day the weather was kind, and...
Graham Greene was more than half in love with easeful failure. He chose to end A Sort of Life, the sly memoir of his early years that stood in for an autobiography, with ‘the years of failure which followed the acceptance of my first novel’, adding the characteristic gloss that ‘failure too is a kind of death’ and so may conclude the story of a life as appropriately as...
Anthony Wilks's film traces the connections between the events of Eric Hobsbawm’s life and the history he told, from his teenage years in Germany and his communist membership, to the jazz clubs of 1950s...
Stefan Collini talks to Thomas Jones about the life and work of Frank Kermode, and Mary-Kay Wilmers remembers him as a contributor to the LRB.
Reading an Empson essay is like being taken for a drive by an eccentric uncle in a terrifyingly powerful old banger. There are disturbing stains on the upholstery and an alarming whiff of whisky in the...
George Orwell is commonly invoked as the ideal role model for the intellectual: feisty, independent, outspoken and contrarian, active in the public sphere, and famous. So it’s a surprise to...
In seven of the nine chapters in this fine book Dr Collini depicts the denizens of the Athenaeum in its great days. T.H. Huxley, having left his umbrella at Matthew Arnold’s, asks his...
Time was when Clio had a seamless garment: but that was before the division of labour set in. Prefixless history is now condescendingly thought of as ‘straight’ history and her...
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