Stefan Collini

Stefan Collini is the author of Absent Minds: Intellectuals in Britain, What Are Universities For? and The Nostalgic Imagination: History in English Criticism. His edition of Orwell’s Selected Essays was published in 2021. He is an emeritus professor of intellectual history and English literature at Cambridge.

From the Motorcoach: J.B. Priestley

Stefan Collini, 19 November 2009

Earlier this year, I visited the Birmingham suburb of Bournville for the first time. Planned and developed by the Cadburys in the 1890s, the estate is explicitly modelled on an ideal of the English village, with the mostly semi-detached houses playing a set of variations on the theme of the cottage. Consulting Pevsner as I walked around, I was surprised to find that, normally rather sniffy...

Self-Positioning: the Movement

Stefan Collini, 25 June 2009

Craig Raine recalls that when the former chairman of Faber, Charles Monteith, encountered the suggestion that one of Philip Larkin’s poems was indebted to Théophile Gautier, he was ‘incredulous’. To Monteith, the idea that Larkin might have been influenced by a foreign poet was ‘ludicrous’. ‘He had fallen,’ Raine comments, ‘for the...

Delighted to See Himself: Maurice Bowra

Stefan Collini, 12 February 2009

What is the best case that can be made for Maurice Bowra? In his day, and it was a long day, he was the most celebrated don in Oxford, and therefore in England. Born in 1898, he became a fellow of Wadham in 1922; he was elected its warden in 1938, holding that office, astonishingly, until 1970; he died a year later. He wrote or edited some thirty books, mostly semi-scholarly, semi-popular expositions...

Upwards and Onwards: On Raymond Williams

Stefan Collini, 31 July 2008

When Raymond Williams died suddenly, aged 66, in January 1988, estimations of him were sharply divided. There were those who regarded him as a deservedly influential literary and cultural critic, a major socialist theorist and an exemplary instance of the union of intellectual seriousness and political purpose. There were others who thought he had for too long enjoyed an inflated reputation, that he was a muddy thinker and verbose writer who had been swept to a form of cultural celebrity by the vogue for working-class sentimentalism in the 1960s and lefter-than-thou self-righteousness in the 1970s.

Letter
I am very willing to believe that Paul Anderson has new and reliable evidence about the circulation of Tribune in the mid-1940s, in which case my calculation about the combined circulation of the three periodicals in which much of Orwell’s best writing appeared may have to be revised (Letters, 10 April). But, as Anderson acknowledges, the Audit Bureau of Circulations seems not to have certified any...

The Terrifying Vrooom: Empsonising

Colin Burrow, 15 July 2021

Reading an Empson essay is like being taken for a drive by an eccentric uncle in a terrifyingly powerful old banger. There are disturbing stains on the upholstery and an alarming whiff of whisky in the...

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George Orwell is commonly invoked as the ideal role model for the intellectual: feisty, independent, outspoken and contrarian, active in the public sphere, and famous. So it’s a surprise to...

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Athenian View

Michael Brock, 12 March 1992

In seven of the nine chapters in this fine book Dr Collini depicts the denizens of the Athenaeum in its great days. T.H. Huxley, having left his umbrella at Matthew Arnold’s, asks his...

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Burrinchini’s Spectre

Peter Clarke, 19 January 1984

Time was when Clio had a seamless garment: but that was before the division of labour set in. Prefixless history is now condescendingly thought of as ‘straight’ history and her...

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