A Wound with Teeth, the first half of the choreographer Holly Blakey’s recent double bill at the Southbank Centre, reminded me of some of Paula Rego’s busiest paintings. It seems to come from the same dreamscape: deconstructed fairy tale costumes, densely arrayed symbolism, a certain shagginess of expression, animal heads, predatory gender relations (going both ways), triumphant victims, grotesque sexuality, maximalism, a powerful sense of mischief, an elaborate, multi-perspectival choreography of confrontations, subplots and cursed couplings.