Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB, and presents ‘London Revisited’ on the LRB’s Close Readings subscription podcast.
One of the most evocative objects in Ocean Liners (at the V&A until 17 June) is a diamond and pearl tiara by Cartier. Not particularly spectacular as Cartier tiaras go, it was once the property of Lady Marguerite Allan, who took it with her when she sailed from New York on 1 May 1915 on board the Lusitania. Six days later, off the Irish coast, a German U-boat torpedoed the ship, which...
Clothes, for those who could afford to choose them freely, had always been to some extent an expression of the wearer – of their status, character and taste – but it was in the popular Modernism of the interwar years, when so many men had died and women consequently found themselves with more room to manoeuvre in society, that the particular compound of woman + clothes, Woolf’s ‘frock consciousness’, became a significant aspect of female experience, a colour on the writer’s palette, a possible agent in a narrative.
The last day of June 1858 was a warm day, though not the hottest of that summer. Two weeks earlier the temperature in London had reached 90 degrees, the highest ever recorded. Even so the atmosphere in the Palace of Westminster was close when the parliamentary committee inquiring into the working of the Bank Acts met. Gladstone was present, as was Disraeli, then chancellor of the...
His twenties were probably the most successful decade in terms of public perception. Young, good-looking and rich in his own right with the income from the Duchy of Cornwall, he could, from a certain point of view, be seen as a prince for the swinging 1960s. After that the biographies chronicle a succession of increasingly difficult milestones. As he faced his 30th birthday he addressed the Cambridge Union in hair-raisingly ingenuous terms: ‘My great problem in life is that I do not really know what my role in life is.’ None of the journalists he complained about could have said anything more undermining.
Why should writers mind about clothes? More than any other profession they spend their most productive hours alone. They can wear anything – or nothing – and nobody is any the wiser. Yet as Virginia Woolf wrote in Orlando, clothes have ‘more important offices than merely to keep us warm. They change our view of the world and the world’s view of us.’ In the...
Rosemary Hill and Jeremy Harte discuss the many groups and stories that have emerged throughout the 20th century to challenge the narratives about Stonehenge presented by archaeologists.
For the third episode in her short series on Stonehenge, Rosemary Hill is joined by Seamus Perry to experience the stone circle through the mind and eyes of a Romantic, with the likes of Wordsworth, Blake,...
In the second episode of her short series looking at why Stonehenge has occupied such an important place in the story of Britain, Rosemary Hill talks to Kate Bennett about the two antiquarians, John Aubrey...
Rosemary Hill begins a new four-part series looking at what people have thought about Stonehenge over the past few hundred years, and why it’s come to matter so much in the story of Britain. In...
In the final episode in our series looking at the way history was transformed in the Romantic period, Neil MacGregor joins Rosemary Hill to discuss the circulation of artefacts throughout Europe in the...
In the third episode of her series looking at how history was transformed in the Romantic period, Rosemary Hill talks to Roey Sweet about the antiquarians, a new breed of multi-disciplinary investigators,...
In the 1740s the Scots were invading England and the wearing of tartan was banned. By the 1850s, Queen Victoria had built her Gothic fantasy in Aberdeenshire and tartan was everywhere. What happened in...
In the first episode of a new four-part series looking at the way history was transformed in the Romantic period, Rosemary Hill is joined by Tom Stammers to consider how an argument over the ‘improvement’...
Rosemary Hill looks at women and clothes, and what happens between them, in life and literature, in her 2018 LRB Winter Lecture.
Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...
Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...
Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.
For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.