Rosemary Hill

Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB, and presents ‘London Revisited’ on the LRB’s Close Readings subscription podcast.

One’s Self-Washed Drawers: Ida John

Rosemary Hill, 29 June 2017

Among her fellow students at the Slade School were some of the 14 children of the wealthy Salaman family whose father had made a fortune in the ‘feather boom’ of the 1880s when fabulous prices were paid for ostrich plumes. Ida became engaged to Clement Salaman. She liked him perfectly well. He was reliable, suitable and fond of her. They might have been happy enough had not her ‘beautiful warm face’ caught the eye of Augustus John. Then she knew what it was to have a grand passion and to be on the horns of a dilemma.

At Pallant House: Victor Pasmore

Rosemary Hill, 20 April 2017

According to​ Herbert Read, ‘the most revolutionary event in post-war British art’ was Victor Pasmore’s conversion from figurative to abstract painting. Victor Pasmore: Towards a New Reality at Pallant House in Chichester (until 11 June), examines that moment around 1948 and its place in Pasmore’s long career. The essays in the catalogue argue for it variously as a...

Letter

Draw what you see

30 March 2017

I am interested to know from Anthony Paul that Gerald Scarfe intended his drawing of the ageing Churchill to convey pathos rather than hostility (Letters, 20 April). Much as I admire Scarfe I don’t think he realised his intention in this case. The original, which is charcoal on four sheets of paper, did hang in Portcullis House, but is there no longer. On 5 April it appeared as lot 134 in Sotheby’s...

Churchill’s Faces

Rosemary Hill, 30 March 2017

If anything​ justifies the use of the word ‘iconic’ to mean an instantly recognisable image with emotive associations it is representations of Churchill. The cigar, the V for Victory sign and the siren suit are the stuff of caricatures, oil portraits and monumental sculpture from Parliament Square to Fulton, Missouri. So potent was his image in the early months of the Second...

In 1942​ , the Ministry of Food issued the Emergency Powers Defence (Food) Carrots Order. The ministry had requisitioned all carrots ‘grown on holdings of one acre and above’ the year before, buying them in at twopence per pound, and it now had a hundred thousand tons to get rid of. Before the outbreak of war in 1939 Britain imported 70 per cent of its food. Rationing was...

Leave me my illusions: Antiquarianism

Nicholas Penny, 29 July 2021

Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...

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Very Pointed: Pugin

Dinah Birch, 20 September 2007

Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...

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