Rosemary Hill

Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB, and presents ‘London Revisited’ on the LRB’s Close Readings subscription podcast.

Letter

Draw what you see

30 March 2017

I am interested to know from Anthony Paul that Gerald Scarfe intended his drawing of the ageing Churchill to convey pathos rather than hostility (Letters, 20 April). Much as I admire Scarfe I don’t think he realised his intention in this case. The original, which is charcoal on four sheets of paper, did hang in Portcullis House, but is there no longer. On 5 April it appeared as lot 134 in Sotheby’s...

Churchill’s Faces

Rosemary Hill, 30 March 2017

If anything​ justifies the use of the word ‘iconic’ to mean an instantly recognisable image with emotive associations it is representations of Churchill. The cigar, the V for Victory sign and the siren suit are the stuff of caricatures, oil portraits and monumental sculpture from Parliament Square to Fulton, Missouri. So potent was his image in the early months of the Second...

In 1942​, the Ministry of Food issued the Emergency Powers Defence (Food) Carrots Order. The ministry had requisitioned all carrots ‘grown on holdings of one acre and above’ the year before, buying them in at twopence per pound, and it now had a hundred thousand tons to get rid of. Before the outbreak of war in 1939 Britain imported 70 per cent of its food. Rationing was...

Snob Cuts: Modern Snobbery

Rosemary Hill, 3 November 2016

I once found​ a copy of Jilly Cooper’s Class (1979) in the bargain box outside a friend’s second-hand bookshop. When I asked how much it was he winced visibly and said: ‘Just take it, I can’t bear to have it in the shop.’ Subtitled ‘A View from Middle England’ and written in Cooper’s usual rollicking style, it’s a witty read spiked...

Herberts & Herbertinas: Steven Runciman

Rosemary Hill, 20 October 2016

He was a popular laird, organising Easter egg hunts for the children and cooking for house guests. Attractive young men were invited first to his St John’s Wood house and if they passed the audition would be ‘summoned to Eigg as a special further favour’. Runciman’s social network was ever-expanding, especially in the direction of crowned heads, though he could be ungracious about royalty too. He received his knighthood in characteristic tones: ‘I don’t think it quite my line … so associated with Welsh aldermen and failing jockeys. I suppose I’ll get used to it.’

Leave me my illusions: Antiquarianism

Nicholas Penny, 29 July 2021

Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...

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Very Pointed: Pugin

Dinah Birch, 20 September 2007

Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...

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