Rex Winsbury

Rex Winsbury is a publisher and publishing consultant on new forms of technology in the media.

Why Wapping?

Rex Winsbury, 6 March 1986

There was once a famous proprietor of the Times newspaper who, wishing to introduce new technology into his production plant but fearing the hostility of his print workers, resorted to subterfuge. He installed his new equipment secretly in a separate building, got it working without the use of traditional print staff, all the while maintaining normal production at his old works. When the new plant was ready and actually printing the Times, he presented it as a fait accompli to his workers.

Letter

In Buenos Aires

20 November 2003

My first visit to Buenos Aires was different from Michael Wood's. On the pretext of attending a conference, and inspired by too many Hollywood movies of the Bogart era, I went in search of a seedy waterfront bar where, clad in a grubby white suit and Panama hat, I could romantically drink away my declining years. Alas, I couldn't get to the waterfront at all. There was the old port, the new port, the...
Letter

Et tu

22 May 2003

It is still a surprise and disappointment to be reminded, as Leofranc Holford-Strevens reminds us (LRB, 22 May), that Julius Caesar did not say ‘Et tu, Brute’ as he died under 23 dagger thrusts on the Ides of March. Footnotes to Shakespeare make clear that this phrase was just a stage tag, but what did Caesar say? Suetonius and Cassius Dio give two versions, one that he said nothing, only...
Letter

Mr Michael

12 December 2002

I was an industrial reporter on the Daily Telegraph under Ronald Stevens (LRB, 12 December 2002). Lord Hartwell (or ‘Mr Michael’ as he was known) insisted that we publish the monthly coal stock figures, long after any possibility of a national coal crisis had passed. One day the phone rang and the news editor told me I was required on the sixth floor. There I found a special reception desk...
Letter
A footnote to Frank Kermode’s review of Humphrey Carpenter’s The Angry Young Men (LRB, 28 November): around 1960 I was returning from abroad but was stopped by an immigration official who demanded further proof of my status. I had little on me, but in one pocket chanced on my membership card for the Establishment Club. ‘Well, I am a member of the Establishment,’ I said, to which...
Letter

Wine and Poses

6 June 1996

In his review of Sebastian Faulks’s The Fatal Englishman, Philip French (LRB, 6 June) sneers at the musical Salad Days with its theme tune, ‘We said we’d never look back,’ but then looks back in nostalgic detail at his own salad days at Oxford in the company of the late Jeremy Wolfenden, one of the fatal Englishmen. I knew Jeremy Wolfenden much less well than he did. I accidentally...

Play the game: Cleopatra

Michael Kulikowski, 31 March 2011

We know much less than we would like about the Syrian queen Zenobia of Palmyra, and rather less than our 19th-century predecessors, who wrote before source-criticism eliminated much of the...

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