Sweaney Peregraine
Paul Muldoon, 1 November 1984
The title-sequence of Seamus Heaney’s sixth collection finds him on Station Island, Lough Derg, more commonly known as St Patrick’s Purgatory. It’s the setting for a pilgrimage undertaken by thousands of Irish men and women each year. For three days they fast and pray, deprive themselves of sleep, and walk barefoot round the station ‘beds’ – circles of rough stones said to be the remains of monastic huts. A place, then, strongly associated in the Irish mind with self-denial, contemplation, spiritual renewal; a place, too, that has attracted writers like Sean O’Faolain, Denis Devlin, William Carleton and Patrick Kavanagh; a place where the individual might decently ruminate on his relationship with society.’