Nicholas Spice

It can’t be doubted that On the Perimeter and The Witches of Eastwick are quite different kinds of book. They were destined to be sold, reviewed and read separately. They have fallen together here by chance and a certain editorial logic, and though at first they appear strange bedfellows, they turn out to breed fruitfully with one another. They should be bought and read together, for they are both in their different ways texts for (and perhaps of) the end of time, books of the Apocalypse. Between them they raise many important issues about the nature of men and women and the nature of nature: On the Perimeter by virtue of a chilling subject-matter fixed with a steady eye, The Witches of Eastwick through the potency of John Updike’s imaginative release.

Anyone who has had experience of the sad and subtle ways in which human beings torment one another under licence of family ties will appreciate the merits of A.B. Yehoshua’s A Late Divorce. The public for the book should therefore be large. Yehoshua is an Israeli writer writing about Israelis (the action of A Late Divorce takes place in Haifa, Tel Aviv and Jerusalem one spring in the late Seventies), so only those readers with an intimate feeling for life in modern Israel will be able to measure fully the accuracy and depth of the book’s portraiture. But the reach of Yehoshua’s satiric talent extends far beyond his immediate subject-matter. If his characters are typically Israeli, they are also typically human. Whether they verge at times on being stereotypically so is open to argument. That, after all, is the great danger in writing satire, and I am not clear that Yehoshua has entirely avoided it.

With the publication of his latest novel, Illywhacker, the author of The Fat Man in History has secured himself a prominent place in the history of the fat book. If you’re not normally a fat book reader, you mustn’t be outfaced by the fatness of Illywhacker, nor by the price, which is hardly a fat book price, especially when the fat book is as comely as this one. Indeed, all the signs are that this is a book the publishers believe in. They’ve put their production values where their blurb is, printing the book on paper likely to outlast the century, and binding it so that you can prop it open on the breakfast table without breaking the spine or knocking over the lemon curd. They must think they’ll sell a lot. They’re right, and their salesmen won’t need to be illywhackers.

In a letter to Robert Liddell dated 12 January 1940, Barbara Pym speaks well of her progress on a new novel, Crampton Hodnet, which she finished later that year, but which has only now surfaced for publication: ‘It is about North Oxford and has some bits as good as anything I ever did. Mr Latimer’s proposal to Miss Morrow, old Mrs Killigrew, Dr Fremantle, Master of Randolph College, Mr Cleveland’s elopement and its unfortunate end … I’m sure all these might be a comfort to somebody.’ As well, it seems to me, call The Rite of Spring restful or Guernica entertaining as expect Crampton Hodnet to administer comfort.

Of all the raw deals meted out in the Bible – not excluding Job’s or that blighted fig tree’s – Moses surely suffered the meanest. After all he had gone through for Yaweh and the Chosen People, his exclusion from the Promised Land within sight of it was cruelly unfair. Or so it seemed to my child’s mind, as repeatedly in Scripture classes and Sunday school we rehearsed the story of the Exodus, the 40 years wandering in the wilderness and the entry of the Children of Israel into the Land of Canaan. My sense of solidarity with the patriarch, in which I am sure I was not alone, was mixed with awe that this sort of thing could happen to grown-ups too, and behind that a dim perception that perhaps it was in the nature of promised lands and the bid to reach them that they should entail a high vulnerability to disappointment and dashed hopes. Clearly, growing up was no solution, unless growing up meant putting by such longings altogether.’