Ne me touchez pas: Debussy’s Mission
Nicholas Spice, 24 October 2019
He understood that, in our minds, music and nature are connected through a web of metaphors of movement, that we animate nature and music through the third term of language: the light dances on the sea, the music heaves like water. At the same time, he was captivated by the states of mind and body elicited by nature: intimations, fleeting impressions, elusive sympathies, but also feelings of exhilaration with life. One way to think about Debussy’s music is as an invitation to attention: at its most rapt, his music seems itself to listen, and the act of listening to which it draws us becomes the value of which it speaks – its ‘content’.





