Nicholas Spice

Parrot and Olivier in America is the singular and surprising offspring of an unlikely coupling between two different novels: one, a fantasia on Tocqueville’s travels in America in 1831, the other a picaresque romance about an Englishman called John Larrit (known as Parrot for his talent as a mimic) who is suddenly and brutally torn from an idyllic childhood as the son of an itinerant printer in late 18th-century Devon and transported to Australia, where he grows up to become a topographical artist and engraver. The novel announces its hybrid nature in its title.

In 1954, at the trial of Lord Montagu of Beaulieu for homosexuality, the counsel for the prosecution, G.D. ‘Khaki’ Roberts (‘fruity-voiced, with a bottle of bright pink cough mixture always at hand’), put it to Peter Wildeblood, one of the co-defendants, that his lover Edward McNally was ‘infinitely his social inferior’, as though this social miscegenation...

On 1 May, only five days after news broke that a 73-year-old man, Josef Fritzl, had immured one of his seven children, his 18-year-old daughter Elisabeth, in a specially fortified cellar under his house in the small town of Amstetten in Lower Austria, and kept her there for 24 years, abusing her persistently and fathering seven more children on her, Elfriede Jelinek, Austria’s Nobel Prize winning novelist, posted a short essay on her website under the title ‘Im Verlassenen’. It begins: ‘Austria is a small world in which the big world holds its rehearsal. The performance takes place in the very much smaller cellar dungeon in Amstetten – daily, nightly. No performance is ever missed … Performances are all there can ever be.’