Michael Wood

Michael Wood is an emeritus professor at Princeton. He has written books on Yeats, Nabokov, Stendhal, Hitchcock and Empson, among other things.

All long-term dictators are alike: all short-term dictators vanish in their own short way. This at least is the assumption of many writers and readers, and in Latin America it amounts to something like a political faith. Of course there is nothing peculiarly Latin American about dictators of any kind; but Latin Americans often believe, with feelings ranging from outrage to fascination to...

Karl Kraus had many enemies, but his friends and admirers are something of a liability too. They insist on his unremitting probity and passion for justice, but his justice was all his own – there was no one else on the bench. ‘His vision was never unsteadied by scepticism,’ Erich Heller wrote. Walter Benjamin asserted that ‘Kraus never offered an argument that had not...

Just one of those ends: Apocalypse Regained

Michael Wood, 13 December 2001

You have only to watch a few frames of Apocalypse Now, in either version, to realise you have caught a high point of American filmmaking. The lighting is wonderful, the editing precise and inventive. Individual shots are full of things to look at, large and small; you can feel the patient care behind every set-up. The actors, even the toughest, look frail and haunted, and the voice-over...

In 1995, Derrida wrote of Lyotard and himself as the last survivors of a generation, although he also worried about ‘that terrible and somewhat misleading word’. The word is terrible, presumably, because it conceals death in its very announcement of life: ‘those dying generations’, Yeats wrote, but then all generations die, that’s what they do. And it is...

In Anita Desai’s recent novel Fasting, Feasting, there is a delicately framed moment of what looks like reconciliation. An unmarried daughter has seen her last chance of a career and a life independent from the family vanish into the demands of her mother’s real or feigned illness. Feigned, the daughter is sure: the crafty parental stranglehold. But then daughter and mother attend...

Pirouette on a Sixpence: Untranslatables

Christopher Prendergast, 10 September 2015

O n​ the face of it a Dictionary of Untranslatables looks like a contradiction in terms, either self-imploding from the word go, or, if pursued, headed fast down a cul-de-sac in which it is...

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It took a very special kind of invention to get an awareness of the ‘erratic truth of death’s timing’ into a medium of mass entertainment.

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I told you so! oracles

James Davidson, 2 December 2004

I don’t believe in astrology, but I also know that not believing in astrology is a typically Taurean trait. When I first caught a bright young friend browsing in the astrology section of a...

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And That Rug! images of Shakespeare

Michael Dobson, 6 November 2003

Above the entrance to the saloon bar there is a picture of Shakespeare on the swinging sign. It is the same picture of Shakespeare that I remember from my schooldays, when I frowned over Timon of...

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Unspeakability

John Lanchester, 6 October 1994

Musing over Don Juan, Byron asked his banker and agent Douglas Kinnaird a rhetorical question: ‘Could any man have written it – who has not lived in the world? – and tooled in a...

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