Michael Hofmann is a poet and translator from German of books by Thomas Bernhard, Jenny Erpenbeck, Günter Grass, Franz Kafka, Joseph Roth and Patrick Süskind, among many others. He teaches at the University of Florida. He has contributed dozens of poems to the LRB since 1980 and more than sixty pieces, on subjects including Stefan Zweig, Bohumil Hrabal, Halldór Laxness, Caspar David Friedrich and boarding schools.
There are a few facts and dates. I would like to do without them, or fiddle with them, in the sense that the person they govern is a great writer, and would have been a great writer without them, and so mocks, like Homer of the seven birthplaces, the confining clutch of circumstance, but I can’t. So, take them as they are. Yiyun Li was born in 1973 in Beijing. In 1996, she left for...
On 27 December 1950, 66 years ago, at the age of 66, the German émigré painter Max Beckmann suffered a heart attack and died on the corner of Central Park West and 69th Street, where for the past eight months he had rented a small apartment and a studio. He had been on his way across the park to the Metropolitan Museum of Art, to view the latest (and last) of his...
To think about Stevens’s life, or Stevens from the perspective of his life, is to be told that your bird of paradise, your parrot or your quetzal, is actually a pigeon or a Farmer Matthews turkey. Nothing in writing has the full-on charm of early Stevens, the abundance of colours and scents and sounds, the musical instruments and fruit, and – oh, just the abundance of abundance. He has the nattiest titles, the most full-throated ejaculations (the ‘Pardie!’ and ‘quotha’ and ‘Ti-lill-o’, the ‘Tum-ti-tum,/Ti-tum-tum-tum!’ and the ‘Ohoyaho,/Ohoo’), the wildest cast of characters, the most beguiling locations.
I have a sort of moral-aesthetic compass rose I like to play with. The designations are approximate and subject to change, but for now they go like this: North-South is the axis of simplicity; East-West that of pleasure. The North is spare, the South proliferative; the West bland, the East astringent … Well, for something so simple and seemingly arbitrary, there is probably more...
It’s possible that the expression ‘tearing through a book’ has something to answer for. I read All That Man Is at a not particularly expedient time, furiously, unappeasably, in two days. Then I bought and read in a similar manner – none took me any longer than two days – David Szalay’s three previous novels: London and the South-East (one of the great...
Michael Hofmann talks to Declan Ryan about his first new collection in almost two decades, One Lark, One Horse.
Documentary has customarily been regarded as a genre duty-bound to deal in facts. But the only duty Herzog has ever felt as a filmmaker is, as he puts it, to ‘follow a grand vision’.
Kafka wrote that, were it not for the final act, Michael Kohlhaas would be ‘a thing of perfection’, which is a diplomatic way of saying that Kleist absolutely butchers it. In fact, one of the many...
Many poets end up having a hard life but W.S. Graham went out of his way to have one. His dedication to poetry, about which he seems never to have had a second thought, was remorseless, and his instinct,...
Remarque apparently knew that The Promised Land would be his last novel, and meant it to be one of his finest, perhaps his masterwork.
Jakob Wassermann, who published nearly a book a year for the last thirty years of his life but died broke and exhausted, soon to be forgotten, on 1 January 1934 at the age of sixty, was well...
‘Literature should be naked,’ Peter Stamm writes. Words should never obscure the story, ‘its warmth, its form, its vitality’. It’s form that critics in Germany and...
On Tuesday, 17 October 1911, 18-year-old Rudolf Ditzen, the future Hans Fallada, got up before dawn to meet his schoolfriend Hanns Dietrich von Necker at a tourist spot outside Rudolstadt in...
As any adult can tell you – or any adult not given over entirely to mawkish and convenient notions of innocence – children are born spies. Every parent (previously an independent...
The two central facts about Malcolm Lowry are that he wrote and that he drank. He drank while writing – or possibly he wrote while drinking. When he died in June 1957 after downing a lethal...
Between 1951 and 1954, Wolfgang Koeppen published three scathing, disillusioned novels ridiculing the notion of a new start and a clean slate for West Germany. At the time, perhaps as many as 80...
Michael Hofmann’s poetry is a lament for a lost world. Some years ago, in an article on Frank O’Hara, he talked about New York no longer being the thrilling place it had been in the...
With Joseph Roth, you begin – and end – with the prose. The great delight of this Austrian novelist, who wrote in the Twenties and Thirties, lies in his strange, nimble, curling...
At the age of 48, after thirty years of lecturing on German literature and writing radio plays, Gert Hofmann began to produce disconcerting novels. Michael Hofmann, his son, the poet, confronted...
‘I was not myself. I was just anyone.’ The person who says ‘I’ in Michael Hofmann’s earlier poems is uncertain, diffident, angry; he seems both gnarled and youthful,...
This German novel has waited nearly forty years for its English translator. Michael Hofmann fell in love the moment the Good Fairy told him about it, and set out to liberate it from the thorn...
Wim Wender’s very pleasurable Paris, Texas (1984) is both an American movie and a European film. Its creative pedigree is mixed – all through the credits: the German Wenders as...
Attentive readers of the Guardian’s news pages will already know about Arabesques. A 1986 report from Jerusalem told readers of a first novel by a 36-year-old writer which was making a big...
In his autobiographical papers, Surely you’re joking, Mr Feynman?, the Nobel Prize-winning physicist, Richard Feynman, describes being piqued by an article in Science about how well...
The acrimony in Michael Hofmann’s book is that of a son towards his father. Like a family photograph album, the sequence ‘My Father’s House’ records the son’s growth...
There remains a most decided difference – indeed it grows wider every year – between what Philip Larkin calls ‘being a writer’, or ‘being a poet’, and managing...
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