Mark Ford

Mark Ford teaches English at UCL and presents the LRB podcast series Close Readings with Seamus Perry. Woman Much Missed: Thomas Hardy, Emma Hardy, and Poetry was published last year.

Poem: ‘Show Time’

Mark Ford, 5 December 2013

Tempus fugit every sundial proclaims, yet over and over time seems to swoon, or to expand, even to grind to a juddering halt when I blog; a dreadful day online, I think I mean, is a dreadful day forever. My current screensaver is a sniper’s- eye view of a traffic warden leaning back to photograph an illegally parked car. Hatchet- faced tax inspectors invade my dreams: ‘We need you...

Figuring oneself as Hamlet in the middle of the 19th century was a perilous business. Think of Mr Wopsle, who performs the role in a hilariously bad production in Great Expectations. When he agonisedly wonders whether ’tis nobler in the mind to suffer the slings etc he is assailed by contradictory cries from the audience: ‘Some roared yes, and some no, and some inclining to both...

Poem: ‘Under the Lime Trees’

Mark Ford, 3 January 2013

All that glitters is not glass, but lots and lots of it is, mused the helmeted cyclist … o you fast- spinning tyres, so delicately ridged, so like the scales of a young crocodile – avoid whatever sparkles, and that flap-hatted woman weaving her way briskly against the traffic, her hands a jiving blur as she belts out snatches of We’re justtwo little girls from Little Rock...

By my count, though I may have missed a few, this is the 25th volume of Ezra Pound’s highly distinctive correspondence to see the light of day. The first selection of his letters, edited by D.D. Paige and culled from the years 1907-41, was published in 1950, when Pound was four years into what would be a 12-year sojourn in St Elizabeths Hospital in Washington, to which he’d been confined indefinitely after pleading insanity at his trial for treason in 1946. Paige’s selection introduced to the world madcap Ez the compulsive letter-writer, all hectoring capitals and italics.

When he was 23, A.S.J. Tessimond (Arthur Seymour John, Jack to his family, but known as John in later life) wrote to Ezra Pound, who had recently settled in Rapallo, enclosing some poems and an article on George Bernard Shaw. Tessimond’s letter does not survive, but Pound’s reply does. ‘Dear Sir,’ he wrote,

If you were in the least familiar with my work you wd. know...

If Hardy was half a modern Londoner, the other half had a weakness for the pastoral-oracular. The two halves changed shape, feeding and modifying each other.

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Earthworm on Zither: Raymond Roussel

Paul Grimstad, 26 April 2012

‘I have travelled a great deal,’ Raymond Roussel wrote towards the end of his life, ‘but from all these travels I never took anything for my books.’ It’s an odd...

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Fronds and Tenrils: Mark Ford

Helen Vendler, 29 November 2001

Suppose, having been betrayed – ‘hooked/then thrown back’ – you decide to let your instant reflex, a desire for revenge, cool off overnight; then suppose you wake up the...

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In the Anti-World: Raymond Roussel

Nicholas Jenkins, 6 September 2001

In 1924 the Surrealist Benjamin Péret was eager, like many artists then and since, to relate his own interests to the works of the rich, bizarre and innovative French poet, novelist and...

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Eternal Feminine

Ian Gregson, 7 January 1993

The excitable, exuberant surface of Mark Ford’s poems makes them instantly attractive. They speak with a bewildered urgency: See, no hands! she cried Sailing down the turnpike, And flapped...

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