John Kerrigan teaches English at St John’s College, Cambridge and is a convener of the Cambridge Group for Irish Studies. His works include Shakespeare’s Binding Language, Revenge Tragedy: Aeschylus to Armageddon and Archipelagic English: Literature, History and Politics 1603-1707.
Growing up in Liverpool we knew about mass violence. The Blitz had left bombsites that were thickest around the docks. The cenotaph in front of St George’s Hall told us what had happened to the men who enlisted there. Surrounded by Murphys and Rooneys you could hardly forget the Great Famine that pushed waves of Irish immigrants into Liverpool cellars and court housing. Before the...
We should have known that Putin was serious about invading Ukraine when, in July 2021, he published his essay ‘On the Historical Unity of Russians and Ukrainians’ on the Kremlin website. This long, part-legendary account traces the Russian, Belarusian and Ukrainian peoples back to the ancient kingdom of Rus, centred on Kiev. The ‘Russian nation’, according to Putin,...
Towards the end of 1997, Seamus Heaney wrote to his friend Derek Mahon from Magdalen College, Oxford. ‘Amigo, Here briefly, at the fall of the leaf,’ he began, archly but affably. ‘The deer-park misty, the choir angelic, the heart aswim.’ Mahon had just published The Yellow Book, a collection of long-lined, sophisticated poems steeped in Baudelaire and the fin de...
How does Shakespeare look, after #MeToo and Black Lives Matter? Scenes of sexual coercion, from Richard III to Pericles, have become more immediate. In Measure for Measure, Isabella’s predicament – should she agree to sleep with Angelo, corrupt deputy to the Duke of Vienna, in order to save her brother from execution? – gets audiences on her side. Shakespeareans now...
Kenneth Branagh’s Belfast is set in the early months of the Troubles, in a mixed working-class district that is cleared of its Catholic residents by a loyalist mob. Paving stones are lifted to barricade the end of the street. Neighbourhood vigilantes are replaced by paramilitaries and the British army. Though the representation of events is spare and often stylised, the film catches...
‘There is a touch of Shylock in this,’ John Kerrigan says of a moment in King Lear. There are touches of Shylock in many places outside The Merchant of Venice, and indeed outside...
We never went on holiday to foreign countries when I was a child. Not to properly foreign ones, anyway. Although we lived on the South Coast, the family Hillman Minx would head not towards a...
We wouldn’t think of anything as a tragedy if we did not have a deeply ingrained sense of order already there to be affronted. Tragedy in life, and as art, exposes by violation our mostly...
Humane, learned, un-showily stylish and at times moving in their tender intelligence, these essays by Anne Barton, ranging from a richly ‘mellow’ piece first published in 1953 –...
It may be assumed that the Dark Lady and the Fair Young Man are at least in part merely Anne Hathaway: a woman seen in darkness and in light, masked and unmasked, always a shadowy haunter of the poet’s...
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