James Meek

James Meek is a contributing editor at the LRB. His new novel, Your Life without Me, will be published in 2026.

Computers that want things

James Meek, 9 October 2025

One day​ in March 2016, the young Go grandmaster Lee Sedol stepped away from the game he was playing against an artificial intelligence called AlphaGo. He wanted a cigarette. The Seoul Four Seasons Hotel, where the tournament was happening, had set aside its roof terrace for his exclusive use, and documentary cameras from the company that made AlphaGo, DeepMind, followed him there. On...

Diskobay was dotted with small icebergs as I left the cottage I was renting in a small town in western Greenland one grey Sunday morning in early March. I sank up to my knees, having failed to work out where the safe path up the hill to the road was under the snow. People say the icebergs aren’t as big as they used to be. Somebody showed me a picture of Ilulissat from the 1990s, a...

An Enemy to Its Friends

James Meek, 6 March 2025

Leon Festinger’s concept of cognitive dissonance was born in the 1950s out of research into what happens when there’s a doomsday cult and doomsday fails to arrive. A tiny minority of cultists have their warped worldview confronted by reality. How do they deal with it? They rationalise the unreasonable. They cherry-pick information to suit themselves. They deny the evidence of the...

The authorities​ in Kharkiv, Ukraine’s second largest city, have been de-Russifying its street names. Instead of commemorating an avant-garde Russian communist writer who killed himself in the 1930s, the name of the street where I stayed last month now remembers an avant-garde Ukrainian communist writer who killed himself in the 1930s: Vladimir Mayakovsky Street is now Mykola Khvylovy...

Planes, Trains and SUVs: James Meek

Jonathan Raban, 7 February 2008

James Meek’s last, bestselling novel, The People’s Act of Love, published in 2005 to great critical acclaim, was set in 1919, in ‘that part of Siberia lying between Omsk and...

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Dynamite for Cologne: James Meek

Michael Wood, 21 July 2005

James Meek’s early fiction is alert, acrid and funny, and only slightly too insistent on its own quirkiness – as if it were hoping reviewers would call it surreal (they did) and...

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