Hal Foster teaches art history at Princeton. He has written widely on postmodernism, the avant-garde and aesthetic theory, both in the LRB and in his books, which include Recodings, The Return of the Real and The First Pop Age. He edited the influential essay collection The Anti-Aesthetic. Fail Better: Reckonings with Artists and Critics was published in February 2025.
Born to Italian shopkeepers in Edinburgh in 1924, Eduardo Paolozzi was a key member of the Independent Group (IG) of artists, architects, curators and critics formed in London in the early 1950s. He was especially active in the New Brutalist wing of the IG, which also included the artists Nigel Henderson, William Turnbull and Magda Cordell, the architects Peter and Alison Smithson, and the...
‘He has created more than any artist after Picasso,’ Jasper Johns said of Robert Rauschenberg, his one-time partner, and the Rauschenberg retrospective now at Tate Modern fully attests to the sheer abundance of his six-decade career.
When a beloved building goes dark, a hole opens in the urban fabric: so it was when the Whitney Museum left its old home on New York’s Upper East Side, constructed by Marcel Breuer in blunt granite and concrete in 1966. Its new headquarters, designed by Renzo Piano in elegant steel and glass, opened in Chelsea last May. For many months a cultural beacon in uptown Manhattan was...
The Surrealists liked to proclaim that everyone who dreams is a poet, and Joseph Beuys that everyone who creates is an artist. So much for the utopian days of aesthetic egalitarianism; maybe the best we can say today is that everyone who compiles is a curator. We curate our favourite photographs, songs and restaurants, or use numerous websites and applications to do it for us. Although...
Tate Modern II, designed by Herzog and de Meuron, is now rising on the Thames. On the Hudson the new Whitney Museum, conceived by Renzo Piano, will open its doors in May. Guided by Diller Scofidio + Renfro, the Museum of Modern Art is planning another expansion (the last one was just ten years ago), and the Metropolitan Museum of Art will transform its modern wing by the end of the...
Hal Foster reads his review of the Robert Rauschenberg exhibition at Tate Modern.
When Hal Foster uses the word ‘first’ in the title of his confidently focused study, he means to start us thinking about Pop now and then. It is a reference to Reyner Banham’s
Helen Gardner’s benevolently dictatorial Art through the Ages was published in 1926, and remained the pre-eminent survey for American undergraduates until 1962, when H.W. Janson’s
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