Hal Foster

Hal Foster teaches art history at Princeton. He has written widely on postmodernism, the avant-garde and aesthetic theory, both in the LRB and in his books, which include Recodings, The Return of the Real and The First Pop Age. He edited the influential essay collection The Anti-Aesthetic.

Letter
Following on the debate about the worldwide protests on 15 February (Letters, 3 April), I note that the anti-war demonstration in New York on 22 March was badly underreported in the media and wildly underestimated in its numbers: for more than four hours marchers flowed down a packed Broadway from Times Square to Washington Square, some forty blocks to the south. Lest your readers missed it altogether,...
Letter

The Phoneless Masses

21 September 2000

When, in my review of Nobrow by John Seabrook, I invoked the ‘phoneless masses’, it was not to suggest, as Laura Mandell has it (Letters, 2 November), that I am deeply in touch with them: it was only to question Seabrook’s breezy assumption that everybody’s now on line and in line with the world of the media-entertainment conglomerates. it’s his totalisation that was at issue, not mine. Nonetheless,...

When Hal Foster uses the word ‘first’ in the title of his confidently focused study, he means to start us thinking about Pop now and then. It is a reference to Reyner Banham’s

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White Hat/Black Hat: 20th-Century Art

Frances Richard, 6 April 2006

Helen Gardner’s benevolently dictatorial Art through the Ages was published in 1926, and remained the pre-eminent survey for American undergraduates until 1962, when H.W. Janson’s

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