Eyal Weizman

Eyal Weizman is the director of Forensic Architecture and professor of Spatial and Visual Cultures at Goldsmiths, University of London. His most recent book is Ungrounding: The Architecture of Genocide.

Necro-Economics: Death by Algorithm

Eyal Weizman, 5 November 2026

At the end​ of September, Google Maps updated its satellite images of Gaza from the set taken in the summer of 2023. Entire cities have disappeared, wiped from the surface of the Earth. Some names still hover over the indistinct dunes of rubble. Pins marking the Green Farm pharmacy, Abu Khalid bakery, Jalal grocery, Al Qarara Museum, Algerian Hospital, Lama coffee shop for women, Abuahmad...

The​ UN Genocide Convention of 1948 lists five acts that constitute genocide when committed with the intent to destroy a group in whole or in part. The first two concern mass killing and serious bodily or mental harm. The fourth and fifth are concerned with interrupting the biological continuity of a group. The third prohibition, framed in Article II(c), forbids ‘deliberately...

Diary: Three Genocides

Eyal Weizman, 25 April 2024

On 11 January​ , at the International Court of Justice in The Hague, South Africa argued that Israel’s actions in Gaza have been ‘genocidal in character’, since ‘they are intended to bring about the destruction of a substantial part of the Palestinian national, racial and ethnic group.’ Lawyers cited the killing of 23,000 Palestinians (the number is now more...

Exchange Rate

Eyal Weizman, 2 November 2023

In​ the spring of 1956, eight years into the Nakba, a group of Palestinian fedayeen crossed the ploughed ditch which was all that separated Gaza from the state of Israel. On one side of the ditch were 300,000 Palestinians, 200,000 of them refugees expelled from the surrounding area; on the other were a handful of new Israeli settlements. The Palestinian fighters attempted to enter the kibbutz...

In Kassel: Documenta Fifteen

Eyal Weizman, 4 August 2022

Documenta,​ held every five years in Kassel, is the world’s most influential show of contemporary art. On 19 June, a day after the opening, an eight-metre-high banner titled People’s Justice, painted by the Indonesian art collective Taring Padi, was hung from a scaffold in Friedrichsplatz, Kassel’s central square. It was a massive piece of agitprop, a cartoon-like version...

Being the son of an Israeli civil engineer I never believed I would one day write something about architecture. My father would come back home with many boring black and white sketches, and I...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletters

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences