At Tate Modern: Fahrelnissa Zeid
Eleanor Birne, 21 September 2017
The centrepiece of the Fahrelnissa Zeid show at Tate Modern (until 8 October) is My Hell, a vast canvas – five metres across and two metres high – of swirling curves and broken triangles. It’s a diptych or possibly a triptych: yellows and blacks in the left section, blacks and reds to the right, arranged around a jagged absence close to the middle. The forms seem to...