Dinah Birch

The notorious refusal of J.M Barrie to leave boyhood behind was perverse and, in the end, destructive. Yet it became the foundation of his success, as a widely celebrated playwright, a wealthy baronet, and a leading figure in literary London. The stories and plays that led to these grown-up dignities were, as he understood them, grounded in a child’s make-believe. What makes him the...

Using literature as a way out of your life carries less of a stigma than lager or Grand Theft Auto. It’s understood as a mark of educated cultivation, not wilful indulgence or evasion. Yet reading, like every other exercise of the imagination, can be abused, can turn into an addiction. The connection between this and other kinds of abuse is something that Peter Rushforth has been...

When Thackeray died in 1863 his eldest daughter, Anny, who was 26, was left not just with a famous name and a sum of money but with an established place in London literary life. Affectionate and needy, Thackeray had nurtured Anny’s talents, and used her as his amanuensis. Before his death she had begun to publish work of her own, including a vigorous novel, The Story of Elizabeth....

Much of the literature of the 19th century grew out of sibling relationships. Tennyson’s first publication was a family project, with contributions from three brothers. The Brontës’ fiction emerged from the closed world of Haworth parsonage. Harriet Martineau’s writing was shaped by complicated feelings for her brother James. The work of the Rossetti family is among the...

‘No one knows what a literary ambition I had, nor how my failure has broken me,’ Elizabeth Stoddard wrote in 1876. She was 53, and knew she was not going to be numbered among the great American writers of her generation. The gloomy and self-dramatising tone is characteristic. In fact she was exceptionally robust, and nothing could break her. She went on writing for years, and...