Dinah Birch

Dinah Birch is Emeritus Professor of English at the University of Liverpool. She has written extensively on John Ruskin, as well as Dickens, Tennyson and the Brontës, and is the general editor of the Oxford Companion to English LiteratureAnthony Trollope: A Very Short Introduction is available now.

When Thackeray died in 1863 his eldest daughter, Anny, who was 26, was left not just with a famous name and a sum of money but with an established place in London literary life. Affectionate and needy, Thackeray had nurtured Anny’s talents, and used her as his amanuensis. Before his death she had begun to publish work of her own, including a vigorous novel, The Story of Elizabeth....

Much of the literature of the 19th century grew out of sibling relationships. Tennyson’s first publication was a family project, with contributions from three brothers. The Brontës’ fiction emerged from the closed world of Haworth parsonage. Harriet Martineau’s writing was shaped by complicated feelings for her brother James. The work of the Rossetti family is among the...

‘No one knows what a literary ambition I had, nor how my failure has broken me,’ Elizabeth Stoddard wrote in 1876. She was 53, and knew she was not going to be numbered among the great American writers of her generation. The gloomy and self-dramatising tone is characteristic. In fact she was exceptionally robust, and nothing could break her. She went on writing for years, and...

Fond Father: A Victorian Naturalist

Dinah Birch, 19 September 2002

[Ann] Thwaite demonstrates that Edmund’s facts are contradicted by quantities of documentary evidence. Philip Henry Gosse was not a gloomy monster. He was a courageous and innovative scientist and a thoroughly likable human being.

Wintry Lessons: Anita Brookner

Dinah Birch, 27 June 2002

Anita Brookner’s first novel appeared in 1981. Since then she has published it again, slightly altered, almost every year. It is a remarkable feat. Nor is it irrelevant to what she has to say, for quiet persistence is part of what her fiction affirms. The same characters, the same situations, the same histories of seclusion and distress appear over and over again. Lonely children are...

Seeing through Fuller

Nicholas Penny, 30 March 1989

It has been respectable for some while now to admit to being bored by the huge, flat, ‘pure’ abstracts on the white walls of the museums of modern art. And yet non-representational...

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