Dinah Birch

Dinah Birch is Emeritus Professor of English at the University of Liverpool. She has written extensively on John Ruskin, as well as Dickens, Tennyson and the Brontës, and is the general editor of the Oxford Companion to English LiteratureAnthony Trollope: A Very Short Introduction is available now.

Fond Father: A Victorian Naturalist

Dinah Birch, 19 September 2002

[Ann] Thwaite demonstrates that Edmund’s facts are contradicted by quantities of documentary evidence. Philip Henry Gosse was not a gloomy monster. He was a courageous and innovative scientist and a thoroughly likable human being.

Wintry Lessons: Anita Brookner

Dinah Birch, 27 June 2002

Anita Brookner’s first novel appeared in 1981. Since then she has published it again, slightly altered, almost every year. It is a remarkable feat. Nor is it irrelevant to what she has to say, for quiet persistence is part of what her fiction affirms. The same characters, the same situations, the same histories of seclusion and distress appear over and over again. Lonely children are...

There are good reasons, and a few bad ones, for lifting minor characters out of famous texts and putting them centre-stage. One bad reason might be that refiguring a large reputation quietly amplifies your own. Shakespeare’s cultural authority has made him a tempting source, but writers who provide Shakespeare’s marginal presences with another chance to speak also aim to make...

Freud takes it for granted that masculinity is the defining human condition, that all children begin life by imagining themselves as little men. When girls get round to noticing their lack of a penis and have to abandon fantasies of maleness, they feel envy and a lasting sense of alienation. Catherine Robson acknowledges and dismisses Freud and Lacan as forming ‘part of the continuing...

It is hard to make a living from poetry. Lavinia Greenlaw has turned her hand to all manner of activities to support her work – publishing, teaching, arts administration, posts as writer-in-residence. These haven’t just been ways of paying the bills: her imagination has been cultivated by dealing with institutions. Greenlaw’s writing fuses feeling with lucid observation,...

Seeing through Fuller

Nicholas Penny, 30 March 1989

It has been respectable for some while now to admit to being bored by the huge, flat, ‘pure’ abstracts on the white walls of the museums of modern art. And yet non-representational...

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