David Harsent

David Harsent’s pamphlet The Wound: Versions of C.P. Cavafy is out now.

Poem: ‘Pain’

David Harsent, 3 July 2014

Let’s say a gallery. Let’s say ill weather. Let’s say you’ve movedfrom L’Arbre de Fluides to La Fenêtre. Let’s say you’re not Marie,not one of the Corps de Dame. Let’s say you’ve been better loved.Let’s say that one of these, for sure, is what you came to see.

*

Red and black. Heart and hand. Sand and salt. You make a note.The...

Poem: ‘Fire: a song for Mistress Askew

David Harsent, 19 December 2013

fythynesse, rust, menstrue, swylle, mannys durt, adders egges, the brede of lyes …...

Two poems after Yannis Ritsos

David Harsent, 27 September 2012

from ‘Agamemnon’

The city was still smouldering end to end. We buried the dead, then, at twilight, went down to the beach and set tables for the victory feast. When Helen lifted her glass, the bracelets rattled on her wrist. ‘Listen to that,’ she said, ‘I must be dead.’

At once a piercing white light shone out from her mouth and all within its range was...

Poem: ‘The Queen Bee Canticles’

David Harsent, 6 January 2011

for Christopher Penfold

The Queen and the Philosopher

Sun on the sea running white, sun on white walls, yes, on the thick shoulders of the fishermen as they fanned their nets, sun

as an engine, a trapdoor, a compass, Democritus in his cell the window framing sea and sky, blue climbing on blue, a glaze

shaken by the heat, as she drifted in and held heavy in the thickening air. It was this: a...

Four Poems

David Harsent, 12 March 2009

The Hammock

Your book is Summer by Edith Wharton. A smell off the garden of something becoming inedible. Between sleeping and waking, no real difference at all.

There’s music in this, there would have to be: a swell of strings and bells becoming inaudible, note by note, before you latch on to it . . . The girl

in the story won’t prosper, that’s easy enough to tell....

Venisti tandem

Denis Donoghue, 7 February 1985

A year or two ago, Geoffrey Hartman urged literary critics to declare their independence. They should not regard criticism as an activity secondary to the literature it addressed, but as an art...

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