David Harsent

David Harsent’s A Broken Man in Flower has just been published.

Poem: ‘Coverack’

David Harsent, 6 October 1994

The trick was to keep things normal, or so I thought, and what better than this – the sea on one hand, a hillside of fern and furze on the other, the tumulus on Lowland Point as a marker? Everything there was part of the fair-weather future I’d picked out for myself; I could number the gulls and masts, I’d shifted the wind, and just as you might expect I expected a man in a...

Poem: ‘The Makers’

David Harsent, 19 September 1996

It was pride and nothing else made me lift my head from the spit and sawdust of The Prospect of Oblivion, on my cheek a dark naevus that married

a knobby knot in the planking. How long I’d been down and out was anybody’s guess; I’d guess an hour or more by the state of my suit, a foul rag-bag,

by the state of my hair, a patty-cake, of my own ripe keck, unless it was the keck...

Poem: ‘By Sennen’

David Harsent, 4 June 1998

After a painting by Jeremy LeGrice

… in London, of course you are, landlocked in your kitchen, but just a step, after all, from the door into the hall, and then just a step from the door into the street where the cabbie is more than happy to wait by the slip-road that takes you out through the wrecked hulks of tower blocks, happy to stop- start-stop in the backed- up traffic, its...

Three Poems from ‘Marriage’

David Harsent, 26 November 1998

But arrive like this: a sudden shadow on the washed-out fleur-de-lis that paper the breakfast room; a form half-hidden

by some other form, the angle of a door, perhaps, unless I think to make it a shutter, half-open, by which I leave you a single

arm, single eye, single breast, a single link of the scallop- and-anchor motif on your sun-top, except that I can’t quite get it at this...

Two Poems

David Harsent, 22 June 2006

Feverish

After Yannis Ritsos

Small squares on the move, merging, pulling apart, building bricks unbuilding, a city of windows inside a city of windows, everything hanging on two right-angles, free-standing, out of whack but somehow holding, somehow safe you decide at the very moment they crack and start to collapse (in utter silence) all of a heap where three fleabitten dogs set off at an...

Venisti tandem

Denis Donoghue, 7 February 1985

A year or two ago, Geoffrey Hartman urged literary critics to declare their independence. They should not regard criticism as an activity secondary to the literature it addressed, but as an art...

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