Colin Burrow

Colin Burrow is a fellow of All Souls College, Oxford. His books include Shakespeare and Classical Antiquity and Imitating Authors: Plato to Futurity, as well as editions of Ben Jonson, Shakespeare and the metaphysical poets. His first contribution to the LRB, in 1999, was on British and Irish poetry of the Civil War; he has since written more than seventy pieces for the paper, on subjects from Catullus and Virgil to Hilary Mantel and Ursula Le Guin. He presented ‘On Satire’, an LRB Close Readings podcast series, with Clare Bucknell.

Asterisks and Obelisks

Colin Burrow, 7 March 2019

Not much​ is known about Propertius beyond what he says or implies about himself in the four books of elegies he wrote between roughly 30 BC (when he was probably in his mid to late twenties) and about 16 BC. He was born in Assisi and came from a wealthy Umbrian family which seems to have resisted Octavian – the future Emperor Augustus – in the battle of Perugia of 41 BC....

Letter

He got it all from me!

11 October 2018

I am well aware of Mark Jacobs’s work on Laura Riding (Letters, 25 October). To make good my failure to acknowledge her genius, however, I’ll respond to him by quoting a characteristically lucid letter in which Riding accuses William Empson of plagiarising her: ‘What I have to say to you will in part follow in continuation. I thought I should get it all down today, but I can’t. Be sure: I shall...

Adjusting the Mechanism: Robert Graves

Colin Burrow, 11 October 2018

Virginia Woolf​ could be cruelly accurate in her assessments of people. On 24 April 1925 Robert Graves visited her unexpectedly and stayed too long. She described him as ‘a nice ingenuous rattle headed young man’, and declared ‘the poor boy is all emphasis protestation and pose.’ By 1925 Graves had good reason to be ‘rattle headed’. He had survived...

Slice of Life: Robin Robertson

Colin Burrow, 30 August 2018

Robin Robertson​ is something of a specialist in pain. He usually describes what painful events look like from the outside rather than how they feel from within. It’s often as though sufferers are so entranced by the appearance of what’s happening to them that they can’t actually see how bad it is. There is a fine slight poem from Slow Air (2002) called ‘Break’...

Letter
Colin Burrow writes: I’m not sure Emily Wilson has quite got me right. As a self-professed ‘Chapmaniac’ (LRB, 27 June 2002), I generally prefer translations of the Homeric poems that respond to their poetic spirit rather than to the letter. Chapman believed he was inspired by Homer, and produced a wonderful if wayward version of the poems. I’d also be one of the last people on earth to want...

Don’t break that fiddle: Eclectic Imitators

Tobias Gregory, 19 November 2020

The boundary between the broader and narrower senses has never been firm, and the history of literary imitation has always been bound up with the histories of philosophy, rhetoric and education. Plato,...

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I must needs acknowledge, that the Greeke and Latine tongues, are great ornaments in a Gentleman, but they are purchased at over-high rate. Montaigne, Essays I grew up​ in postwar...

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Mr Who He? Shakespeare’s Poems

Stephen Orgel, 8 August 2002

In his own time, Shakespeare was much better known to the reading public as a poet than as a playwright. Venus and Adonis went through ten editions before his death in 1616, and another six...

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