Clare Bucknell

Clare Bucknell is a fellow of All Souls College, Oxford. She is the author of The Treasuries, a social history of poetry anthologies.

At the National Gallery: Wright of Derby

Clare Bucknell, 5 March 2026

One of​ Joseph Wright of Derby’s favourite subjects was Vesuvius erupting by night, which he painted more than thirty times. The drama and peril of the scene attracted him, but he was also drawn to extreme manifestations of light and dark: lava, fire, lightning, smoke. He found that lava in particular could be difficult to paint, because it needed to look fluid, not stiff and static....

At the Museo Byron: Byron and Teresa

Clare Bucknell, 25 December 2025

‘Teresa Guiccioli’ by Henry William Pickersgill.

Teresa Gamba Ghiselli​ married Count Alessandro Guiccioli in 1818. She was 18 or 19; he was 57. It was his third marriage and they had met once before. In The Last Attachment: The Story of Byron and Teresa Guiccioli (1949), Iris Origo describes how the bargain was struck:

[Teresa] stood in the middle of the room, curtsying, as her...

Letter

Under a Microscope

4 December 2025

Adam Plunkett writes that I object to two aspects of his case about ‘a series of resemblances’ between the opening nine poems of Frost’s A Boy’s Will and Tennyson’s In Memoriam (Letters, 25 December 2025). I am happy to make a further objection. He says that ‘the first poems in each sequence are impassioned expressions of hope for a distinctive kind of journey of the soul: to move beyond...

In later life​, the worst thing you could call Robert Frost was ‘literary’. ‘If I’m somewhat academic (I’m more agricultural) and you are somewhat executive, so much the better,’ he wrote to Wallace Stevens teasingly in 1935. ‘It is so we are saved from being literary … Our poetry comes choppy, in well-separated poems, well interrupted by...

On Rachel Ruysch

Clare Bucknell, 25 September 2025

Three of​ Rachel Ruysch’s paintings feature pineapples. In Still Life of Exotic Flowers on a Marble Ledge (c.1735), the fruit is hidden in a chaotic mass of stems and blooms, easy to miss behind an immense white flower head. In A Still Life with Devil’s Trumpet Flowers, Peonies, Hibiscus, Passion Flowers and Other Plants in a Brown Stoneware Vase (1700), you can see it clearly in...

Outbreaks of Poets

Robert Crawford, 15 June 2023

The story of Macmillan’s marketing and its advertising of a ‘GOLDEN TREASURY SERIES’ of volumes is not just a piece of publishing history, but part of the shift from sacred to secular culture in...

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