Barbara Everett is an emeritus fellow in English at Somerville College, Oxford. Her books include Poets in Their Time and Young Hamlet: Essays on Shakespeare’s Tragedies. She published editions of Antony and Cleopatra and All’s Well That Ends Well, as well as writing many influential essays on the plays. Among her subjects in the LRB have been Shakespeare’s romances, the Sonnets, Hamlet, The Winter’s Tale, Measure for Measure and Falstaff. Her selected pieces for the LRB will be published later this year.
Introducing his text of Hamlet in The Riverside Shakespeare, Frank Kermode calls it ‘the first great tragedy Europe had produced for two thousand years’, and adds, as if conceding to the long academic stress on its highly ‘problematic’ character: ‘how Shakespeare came to write it is, of course, a mystery on which it is useless to speculate.’ As a...
The hopeless, who hadNowhere else to go, he packedInto his house. So
Loneliness took onThe look of home, duty grewUseful, like tea-cups.
TrialsThey go like lightningOver jumps, under tunnels,Up slides and down, then
(Best of all) needle-Thread small transverse hoops as ifFreed of being dogs.
A picture book of Churches makes clear that the one Stone for the floor is
A broken Peter. Overhead vacuity Lifts up the great dome.
Pecunia non oletVespasian taxed Sewage, laughed at his son’s fuss – ‘Money doesn’t smell’.
It’s true. Human words And actions can smell worse than Money’s likely to.
In All SaintsUp in the roof...
Barbara Everett’s book consists of her four Northcliffe Lectures, given at University College London in 1988, on Hamlet and the other ‘major’ tragedies, together with a number...
Faced with the average book of modern literary criticism, the reviewer may wisely resolve to say nothing about the author’s skills as a writer of prose. If they ever existed, they would...
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