Andrew O’Hagan

Andrew O’Hagan is the LRB’s editor at large. He is the author of seven novels – Our Fathers, Personality, Be Near Me, The Life and Opinions of Maf the Dog, The Illuminations, Mayflies and Caledonian Road – and four books of non-fiction: The Missing, The Atlantic Ocean: Essays on Britain and America, The Secret Life: Three True Stories (which contains his LRB pieces on Julian Assange, creating a fake identity online and the search for Satoshi Nakamoto) and On Friendship.

His first piece for the LRB, a Diary about James Bulger’s murder and the cruelty of children to other children, appeared in 1993, when he was working as an editor at the paper (in 2010 he wrote about Jon Venables’s rearrest). He has written more than a hundred and fifty pieces for the LRB since then, on subjects including begging, the sinking of his grandfather’s ship, the murder of the Irish solicitor Rosemary Nelson, Marilyn Monroe and Arthur Miller, the end of British farming, Jonathan Franzen, hating football, Scotland’s sense of grievance, the Democratic and Republican National Conventions of 2004 and the Republican one of 2024, poetry anthologies, the 7/7 bombing outside the LRB’s old offices, the aftermath of Hurricane Katrina, what happens to our rubbish, a driving holiday with Seamus Heaney and the LRB’s first editor, Karl Miller, Jimmy Savile and the BBC, Norman Mailer, the Daily Mail, the Grenfell disaster, Robert Louis Stevenson in Bournemouth and in Edinburgh, old Soho, the New Romantics and Prince Harry.

Early cinema was full of people like that, people who could live a life much larger than anybody watching, so large, indeed, that the flouting of death was just a part of daily business. At his height (or heights), the building-scaling Harold Lloyd dropped to his non-death every other minute in his movies; Buster Keaton jumped over danger, or stood deadpanning the camera while death squeezed past him. Charlie Chaplin, a little man too big for the real world, smiled at every manner of threat, ducked it, ran from it, cheating death with a welter of small human surprises and tendernesses, and always, in the end, walking away bandy-legged from the worst the world has to offer, the screen shrinking to the size of a full-stop.

Diary: Hating Football

Andrew O’Hagan, 27 June 2002

I can tell you the exact moment when I decided to hate football for life. It was 11 June 1978 at 6.08 p.m. Scotland were playing Holland in the first stage of the World Cup Finals in Argentina. It happened to be the day of my tenth birthday party: my mother had to have the party after my actual birthday owing to a cock-up involving a cement-mixer and the police, but the party was called for...

Everything Must Go! American Beauties

Andrew O’Hagan, 13 December 2001

Today there are only second acts in American lives. No generation to find itself interestingly lost in Paris; no elegant tribe crowding the lawn with portents of disaster at Gatsby’s parties; no collective urge to write the great war novel; no second sex. To judge by the best of the new writing, the most urgent of the new films, the most-watched television, American lives are now...

The End of British Farming: British farming

Andrew O’Hagan, 22 March 2001

This last while I have carried my heart in my boots. For a minute or two I actually imagined I could be responsible for the spread of foot and mouth disease across Britain. On my first acquaintance with the hill farmers of the Lake District, on a plot high above Keswick, I had a view of the countryside for tens of miles. I thought of the fields that had passed underfoot, all the way back to...

Story: ‘Every Sodding Thing’

Andrew O’Hagan, 25 January 2001

‘In a way he was like the country he lived in, everything came too easily to him.’ Mrs McFarlane told me she heard someone say this in a movie. There was nothing in the movie that wasn’t just rubbish, she said. But the afternoon she heard those people talking on the screen it made her upset and she said it was bad for her to get upset.

It was all to do with the Living...

About a third of the way through his first book, The Missing, Andrew O’Hagan pauses over a perception he thinks his readers may find ‘a bit surprising’. It’s an intricate...

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