How to Survive Your Own Stupidity: Homage to Laurel and Hardy
Andrew O’Hagan, 22 August 2002
Early cinema was full of people like that, people who could live a life much larger than anybody watching, so large, indeed, that the flouting of death was just a part of daily business. At his height (or heights), the building-scaling Harold Lloyd dropped to his non-death every other minute in his movies; Buster Keaton jumped over danger, or stood deadpanning the camera while death squeezed past him. Charlie Chaplin, a little man too big for the real world, smiled at every manner of threat, ducked it, ran from it, cheating death with a welter of small human surprises and tendernesses, and always, in the end, walking away bandy-legged from the worst the world has to offer, the screen shrinking to the size of a full-stop.





