Andrew O’Hagan is the LRB’s editor at large. He is the author of seven novels – Our Fathers, Personality, Be Near Me, The Life and Opinions of Maf the Dog, The Illuminations, Mayflies and Caledonian Road – and four books of non-fiction: The Missing, The Atlantic Ocean: Essays on Britain and America, The Secret Life: Three True Stories (which contains his LRB pieces on Julian Assange, creating a fake identity online and the search for Satoshi Nakamoto) and On Friendship.
His first piece for the LRB, a Diary about James Bulger’s murder and the cruelty of children to other children, appeared in 1993, when he was working as an editor at the paper (in 2010 he wrote about Jon Venables’s rearrest). He has written more than a hundred and fifty pieces for the LRB since then, on subjects including begging, the sinking of his grandfather’s ship, the murder of the Irish solicitor Rosemary Nelson, Marilyn Monroe and Arthur Miller, the end of British farming, Jonathan Franzen, hating football, Scotland’s sense of grievance, the Democratic and Republican National Conventions of 2004 and the Republican one of 2024, poetry anthologies, the 7/7 bombing outside the LRB’s old offices, the aftermath of Hurricane Katrina, what happens to our rubbish, a driving holiday with Seamus Heaney and the LRB’s first editor, Karl Miller, Jimmy Savile and the BBC, Norman Mailer, the Daily Mail, the Grenfell disaster, Robert Louis Stevenson in Bournemouth and in Edinburgh, old Soho, the New Romantics and Prince Harry.
When David Wilkie’s ‘Village Politicians’ first appeared at the Royal Academy in 1806 it caused a sensation. Less than ten years after the end of the French Revolution, less than ten years before Waterloo, we find a room of common Scots not only arguing the political toss but represented in a style that seeks neither to caricature them nor to elevate them. ‘Mr Wilkie...
People say serious writing is akin to painting. Or music. They hardly ever say it’s like maths. Or quantity surveying. But the art form that literature most closely resembles is acting: the same fascination with character and ideas, the same obsession with voices and identities and silences. Dickens, we know, used to practise impersonating his characters in the confines of his study,...
Until recently, the art of modern biography was too little influenced by the man who invented it, James Boswell, and, even today, many of those who set out to write the lives of authors seem to be led by a suspicion that everything of interest about the subject might already have been said by the subject himself. The literary biographer is haunted by Nabokov’s stylishly defensive...
There’s a certain sort of person who will take a flashlight and go into a field of corn in the dark, but they only exist in the movies. I always think of those characters when I think of movie people in general: even in what is called real life, where people tend to have opinions and heart conditions and mortgages, film directors are largely unreal people who behave in unnatural ways....
One of the first words I ever heard at school was ‘Bethlehem’. For the pupils at St Winnin’s Primary in North Ayrshire it was infinitely more familiar than the word ‘Edinburgh’ or – starry heavens forfend – ‘London’. We knew all about the little town of Bethlehem and its shepherds who watched their flocks by night: it was the place where...
In his introduction to our twelfth LRB Collection, Sisters Come Second, Colm Tóibín writes that most siblings dream of being only children. Malin Hay explores this idea with Colm and...
Andrew O’Hagan talks to Tom about the power of defunct objects, from the life-enhancing gadgets of his childhood to Seamus Heaney’s fax machine, and the role lost things play in fiction.
Mary-Kay Wilmers, who retired as editor of the LRB last month, talks to Andrew O’Hagan about her career, first at Faber and Faber, then the Listener, then for 42 years at the London...
Andrew O’Hagan talks to Thomas Jones about the friendship between Robert Louis Stevenson and Henry James, and the time they spent together in Bournemouth.
Andrew O’Hagan reads his piece about attending Karl Lagerfeld’s memorial in Paris.
We look back at 40 years of the LRB in our anniversary event at Conway Hall.
Andrew O'Hagan analyses Craig Wright’s failed attempts to prove he was Satoshi Nakamoto, the creator of Bitcoin.
Andrew O'Hagan watches Craig Wright show Gavin Andresen that he holds the Satoshi key.
Mary-Kay Wilmers, Andrew O’Hagan and Ben Eastham talk to Sarah Howe about ‘Long-Form Essays in the Digital Age’.
Andrew O’Hagan describes his experiences trying to be Julian Assange’s ghost writer.
Andrew O’Hagan retraces Samuel Pepys’s infuriating journey to work and tries to cross Tottenham Court Road.
Andrew O’Hagan meets Norman Mailer just a few months before he died.
Andrew O’Hagan chaired this discussion between Linda Colley, R.W. Johnson and Tom Devine about national histories and the ways they should, and should not, be taught.
Andrew O’Hagan talks about his work for the LRB, from his first piece on the murder of James Bulger to his more recent essay on paedophile culture.
Mary-Kay Wilmers, editor of the LRB, talks to Andrew O’Hagan about her book The Eitingons, a story of the twentieth century told through the lives of her ancestors: a fur-trader, a psychoanalyst...
About a third of the way through his first book, The Missing, Andrew O’Hagan pauses over a perception he thinks his readers may find ‘a bit surprising’. It’s an intricate...
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