Edward Said wrote of Palestinians as witnesses to a century defined by ethnic cleansing, wars of national liberation, and migration, in restless, nomadic pursuit of freedom: ‘a counterpoint (if not a cacophony) of multiple, almost desperate dramas’. Said’s Palestinianism exemplified the qualities he admired: open-ended and exploratory, resistant to the doctrinal and racial fixity – the dark historical fatalism and exclusionary fear of the other – that Zionism embodied. If Zionism was the song of a single people, Palestinianism held out the hope of a non-sectarian future for both peoples. Palestinian freedom, whether in the form of a sovereign state neighbouring Israel or – the position he defended after Oslo – a binational state, represented ‘a beginning’, a dynamic intervention in history, rather than a return to origin. And yet his vision also looked to the past, betraying a wistful attachment to his childhood memories of colonial Cairo, where Arabs and Jews, Muslims and Christians had lived beside one another.
The themes that echo through Edward Said’s writing – the preference for exilic over rooted writing, the idea of ‘contrapuntal’ criticism, the insistence on secular humanism, worldliness and universality – can all, indirectly, be traced to Palestine. Not to the land itself, or to the people, but to the metaphor, the region of the mind, that he fashioned out of them.