Adam Shatz is the LRB’s US editor. He is the author of Writers and Missionaries: Essays on the Radical Imagination, which includes many pieces from the paper, and The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon. He has written for the LRB on subjects including the war in Gaza, Fanon, France’s war in Algeria, mass incarceration in America and Deleuze and Guattari. His LRB podcast series, Human Conditions, considers revolutionary thought in the 20th century through conversations with Judith Butler, Pankaj Mishra and Brent Hayes Edwards. Sign up here.
What next? Is Netanyahu betting on a Hizbullah overreaction? Is he trying to open a second front and to drag the Iranians – and the Americans – into war? Are the attacks part of his effort to return Donald Trump to the White House, or is he simply trying to stay in power with a show of military force? The war in Gaza has made him more popular than ever, in spite of mass protests in favour of a ceasefire.
As Marine Le Pen is learning, a lot of French people like what they’re hearing from Éric Zemmour: they don’t want a ‘de-diabolised’ Rassemblement Nationale. They want their racism and rage served up straight, just as many Republican voters in the States turned out to prefer Trump’s explicit white nationalism to the dog-whistling versions the Republican Party had been peddling for decades.
‘You don’t make music by listening to music,’ the French-Martinican trumpeter Jacques Coursil said. ‘You must listen to the world.’
Two years ago, I asked the free jazz pianist Matthew Shipp if he would take part in a concert I was organising in remembrance of Cecil Taylor, who had just died. He said he’d be willing to give a talk, but not to perform. Taylor hadn’t influenced his work, and he didn’t want to encourage the notion that he had. I wasn’t surprised (I’ve known Shipp for more than twenty years). His feelings about Taylor were complicated, and the two men often jousted, especially on the subject of Bill Evans, whom Taylor disparaged as the great white hope of jazz piano, and Shipp reveres. Shipp had also been saddled with the ‘heir of Cecil Taylor’ label for three decades, even though the resemblances in their playing are superficial. The only comparison with Taylor that Shipp ever welcomed was made by a mutual friend, the saxophonist Jemeel Moondoc, who told him: ‘You’re just like Cecil Taylor – you’re both bad motherfuckers.’
In the winter of 2005, I was summoned by the French journalist Jean Daniel, who was in New York to promote his new book, The Jewish Prison. I had just published an admiring essay on his work in the New York Review of Books. Over a long lunch at the Carlyle Hotel on the Upper East Side, he recalled his conversations with Ben Bella, Bourguiba, Ben-Gurion, Kennedy, Castro and Mitterrand. Daniel did not hesitate to drop names, but there was no denying that he’d won the confidence of some of history’s great men (they were nearly all men). I looked at my blazer and slacks and regretted that I hadn’t worn something more formal. Daniel was dressed in a suit and tie without a crease, and spoke with a solemnity that would have been easy to ridicule had it not been so spellbinding. I had the impression of speaking to a retired ambassador or foreign minister rather than a journalist.
Claire Denis and J. Hoberman join Adam Shatz to talk about the work and legacy of Jean-Luc Godard.
Adam Shatz, the LRB’s US editor, talks to Sindre Bangstad and Reza Zia-Ebrahimi about the Great Replacement conspiracy theory, from its origins in the high tide of French colonial expansionism in the...
In the second guest episode from a new podcast series, Myself With Others, host Adam Shatz talks to novelist, memoirist and poet James Lasdun.
In the first of three guest episodes from a new podcast, Myself With Others, hosted by Adam Shatz, writer and critic Margo Jefferson talks about her childhood in Chicago, her early experiences in radical...
Enzo Traverso talks to Adam Shatz about his new book on the history of revolutionary passions, images and ideas, from the rebellion of self-liberated slaves in Haiti in 1791 to Stalin’s top-down authoritarianism....
Jesse McCarthy talks to Adam Shatz about his studies of Black diasporic culture, from Juan de Pareja to Audre Lorde, and his critique of Ta-Nehisi Coates’s case for reparations.
Mouin Rabbani and Nathan Thrall talk to Adam Shatz about Israel’s vaccination programme, the system of apartheid that now effectively exists between the River Jordan and the Mediterranean Sea, the legacy...
Raphaëlle Branche talks to Adam Shatz about her new book, Papa, qu’as-tu fait en Algérie? (Daddy, What Did You Do in Algeria?). In it, Branche investigates the experiences of French conscripts in...
Hazel Carby talks to Adam Shatz about her review of a recent book by Isabel Wilkerson, Caste.
Adam Shatz talks to Randall Kennedy and Mike Davis about the results of the US elections.
Adam Shatz talks to Mike Davis about some of the underlying and long-term political shifts at play in next week’s US elections.
Adam Shatz talks to Paul Gilroy about his intellectual background and the recent anti-racist protests in the UK and US.
Pankaj Mishra talks to Adam Shatz about his latest piece for the LRB, which looks at the ways the US and UK have responded to the Covid-19 pandemic and Black Lives Matter protests, and what those botched...
Keeanga-Yamahtta Taylor talks to Adam Shatz about the intellectual and historical background to the Black Lives Matter movement, and why she’s optimistic that the current protests might bring change.
Michael Wood talks to Adam Shatz about critical theory, its origins, developments and various diversions, and where it stands today.
Jeremy Harding and Adam Shatz look back at their pieces for the LRB reporting from North Africa and the Middle East.
Wallace Shawn talks to Adam Shatz about ‘the thin line between entertainment and cruelty’ in the age of Trump.
In the first of two podcasts, Olivier Roy tells Adam Shatz about his experiences with the Gauche prolétarienne in the 1960s and his early travels in Afghanistan.
In the second part of their conversation, Olivier Roy and Adam Shatz discuss the deculturation of Islam, and why it has led to the radicalisation of so many second-generation immigrants and converts
Fanon’s world has a logic. His pages are full of identities, contradictions, Aufhebungen – master and slave, being and nothingness. Any biography, however, has to decide in the end which of the various...
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