Adam Mars-Jones

Adam Mars-Jones is a professor of creative writing at Goldsmiths. His novels include Box Hill and Batlava Lake, which are quite brief, and Pilcrow and Cedilla, which are intended to be part of a million-word sequence. An early version of some of Kid Gloves: A Voyage round My Father appeared in the LRB. His new novel, Caret, was published in 2023. Box Hill has been adapted into a film, Pillion, which had its premiere at Cannes.

Ghosts in the Picture: Daniel Kehlmann

Adam Mars-Jones, 22 January 2015

Daniel Kehlmann​’s new novel, F, takes the risk of starting with a set piece. The first sentence runs: ‘Years later, long since fully grown and each of them enmeshed in his own particular form of unhappiness, none of Arthur Friedland’s sons could recall whose idea it had actually been to go to the hypnotist that afternoon.’ The risk is that a memorable opening...

Diary: Dad’s Apology

Adam Mars-Jones, 20 November 2014

My father​’s background in congregationalist Denbighshire was teetotalitarian: his own father took only one alcoholic drink in his life, and that was (fair play) a glass of champagne at my parents’ wedding reception. I imagine him choking it down as if it were sparkling rat poison. The early prohibition left traces: not having a taste for beer, Dad rather disapproved of pubs,...

A Town Called Mørk: Per Petterson

Adam Mars-Jones, 6 November 2014

Per Petterson​ makes a small detour in the course of his latest novel’s action, as he steers one of his characters into a bookshop to pass comment on the major Scandinavian cultural export of recent years:

All the new fiction, I didn’t know any of the authors’ names, and on two long tables there were three stacks of fat crime books next to each other, most of them...

Room Theory: Joseph O’Neill

Adam Mars-Jones, 25 September 2014

If the first page​ of a novel is its front door, then the epigraphs that some writers like to install on the approach to it correspond to value-adding features such as carriage-lamps or stone lions, often having more to do with the resident’s self-image than with the architecture. Grandeur has its obligations: if your three epigraphs are from Antigone, Bunyan (Grace Abounding) and...

A Family of Acrobats: Teju Cole

Adam Mars-Jones, 3 July 2014

It’s​ not entirely clear which of Teju Cole’s books, Open City or Every Day Is for the Thief, has seniority. Open City made a strong impression when it appeared in 2011, and now Every Day Is for the Thief has arrived in consolidation, though it first appeared in Nigeria in 2007. Neither book offers much of the structure or imaginative texture of fiction, with Open City...

In 1948, Tennessee Williams published a short story (and collection of the same title) called ‘One Arm’. It is about Oliver Winemiller, a magnificent young navy boxer who lost an arm...

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Zero Grazing

John Ryle, 5 November 1992

Seventy-four years ago a viral pandemic began in America, most likely on a pig farm in Iowa. Fifteen months later it had killed over eighteen million people, 1 per cent of the world’s...

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Plague Fiction

Charles Nicholl, 23 July 1987

It sounds like it’s something to do with helping, but that is very far from its meaning. I can’t remember when we first started hearing it; no more than five or six years ago, surely....

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Ugly Stuff

Ian Hamilton, 15 October 1981

William Trevor is bewitched by childhoods and by second childhoods: the ‘grown-up’ bit in between is for him a dullish swamp of lies, commerce, lust and things like that. For Trevor,...

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