Adam Mars-Jones

Adam Mars-Jones is a professor of creative writing at Goldsmiths. His novels include Box Hill and Batlava Lake, which are quite brief, and Pilcrow and Cedilla, which are intended to be part of a million-word sequence. An early version of some of Kid Gloves: A Voyage round My Father appeared in the LRB. His new novel, Caret, was published in 2023. Box Hill is being adapted for cinema as Pillion.

A Town Called Mørk: Per Petterson

Adam Mars-Jones, 6 November 2014

Per Petterson​ makes a small detour in the course of his latest novel’s action, as he steers one of his characters into a bookshop to pass comment on the major Scandinavian cultural export of recent years:

All the new fiction, I didn’t know any of the authors’ names, and on two long tables there were three stacks of fat crime books next to each other, most of them...

Room Theory: Joseph O’Neill

Adam Mars-Jones, 25 September 2014

If the first page​ of a novel is its front door, then the epigraphs that some writers like to install on the approach to it correspond to value-adding features such as carriage-lamps or stone lions, often having more to do with the resident’s self-image than with the architecture. Grandeur has its obligations: if your three epigraphs are from Antigone, Bunyan (Grace Abounding) and...

A Family of Acrobats: Teju Cole

Adam Mars-Jones, 3 July 2014

It’s​ not entirely clear which of Teju Cole’s books, Open City or Every Day Is for the Thief, has seniority. Open City made a strong impression when it appeared in 2011, and now Every Day Is for the Thief has arrived in consolidation, though it first appeared in Nigeria in 2007. Neither book offers much of the structure or imaginative texture of fiction, with Open City...

If Beryl Bainbridge​ had published, as her last novel, a satirical farce about the machinations behind a famous literary prize, she might have managed to weather the accusations of pique. Better yet if she had held it back for posthumous publication, to show that she could wait out her own ego. Anyone else is likely to be seen as settling a score rather than diagnosing the ills of the...

Reality Is Worse: Lydia Davis

Adam Mars-Jones, 17 April 2014

In her approach​ to story-writing Lydia Davis might almost have taken a vow of chastity, of the aesthetic sort publicised by the Dogme 95 group of filmmakers. Dogme principles included shooting on location, recording the soundtrack at the same time as the images (so as to exclude music other than what the characters could hear), using natural sources of light and a hand-held camera....

In 1948, Tennessee Williams published a short story (and collection of the same title) called ‘One Arm’. It is about Oliver Winemiller, a magnificent young navy boxer who lost an arm...

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Zero Grazing

John Ryle, 5 November 1992

Seventy-four years ago a viral pandemic began in America, most likely on a pig farm in Iowa. Fifteen months later it had killed over eighteen million people, 1 per cent of the world’s...

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Plague Fiction

Charles Nicholl, 23 July 1987

It sounds like it’s something to do with helping, but that is very far from its meaning. I can’t remember when we first started hearing it; no more than five or six years ago, surely....

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Ugly Stuff

Ian Hamilton, 15 October 1981

William Trevor is bewitched by childhoods and by second childhoods: the ‘grown-up’ bit in between is for him a dullish swamp of lies, commerce, lust and things like that. For Trevor,...

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