Adam Mars-Jones

Adam Mars-Jones is a professor of creative writing at Goldsmiths. His novels include Box Hill and Batlava Lake, which are quite brief, and Pilcrow and Cedilla, which are intended to be part of a million-word sequence. An early version of some of Kid Gloves: A Voyage round My Father appeared in the LRB. His latest novel, Caret, was published in 2023. Box Hill has been adapted into a film, Pillion, which had its premiere at Cannes.

A Family of Acrobats: Teju Cole

Adam Mars-Jones, 3 July 2014

It’s​ not entirely clear which of Teju Cole’s books, Open City or Every Day Is for the Thief, has seniority. Open City made a strong impression when it appeared in 2011, and now Every Day Is for the Thief has arrived in consolidation, though it first appeared in Nigeria in 2007. Neither book offers much of the structure or imaginative texture of fiction, with Open City...

If Beryl Bainbridge​ had published, as her last novel, a satirical farce about the machinations behind a famous literary prize, she might have managed to weather the accusations of pique. Better yet if she had held it back for posthumous publication, to show that she could wait out her own ego. Anyone else is likely to be seen as settling a score rather than diagnosing the ills of the...

Reality Is Worse: Lydia Davis

Adam Mars-Jones, 17 April 2014

In her approach​ to story-writing Lydia Davis might almost have taken a vow of chastity, of the aesthetic sort publicised by the Dogme 95 group of filmmakers. Dogme principles included shooting on location, recording the soundtrack at the same time as the images (so as to exclude music other than what the characters could hear), using natural sources of light and a hand-held camera....

Diary: Not the Marrying Kind

Adam Mars-Jones, 20 March 2014

If there’s a spectrum of Celtic moods then my father tended towards its capricious end. Though he saw himself as rock-solid in the consistency of his principles, you could never quite tell how he would react to anything. The mixture of gravitas and unpredictability made him a remarkable judge, but it was less of a winning formula in the domestic setting of kitchen or sitting room. This was something I had to try to anticipate when I realised, in the late 1970s, that I would have to break the news to Dad that I belonged to the category he hated and feared.

‘Not I’

Adam Mars-Jones, 6 March 2014

Lisa Dwan​ has been performing Samuel Beckett’s immensely demanding Not I since 2005. What audiences saw at two short London runs this year, at the Royal Court in January and the Duchess Theatre in February (the production now tours), differed markedly from the published text, though this is not a body of work where experimentation is welcomed. A literary estate is more like a guard...

In 1948, Tennessee Williams published a short story (and collection of the same title) called ‘One Arm’. It is about Oliver Winemiller, a magnificent young navy boxer who lost an arm...

Read more reviews

Zero Grazing

John Ryle, 5 November 1992

Seventy-four years ago a viral pandemic began in America, most likely on a pig farm in Iowa. Fifteen months later it had killed over eighteen million people, 1 per cent of the world’s...

Read more reviews

Plague Fiction

Charles Nicholl, 23 July 1987

It sounds like it’s something to do with helping, but that is very far from its meaning. I can’t remember when we first started hearing it; no more than five or six years ago, surely....

Read more reviews

Ugly Stuff

Ian Hamilton, 15 October 1981

William Trevor is bewitched by childhoods and by second childhoods: the ‘grown-up’ bit in between is for him a dullish swamp of lies, commerce, lust and things like that. For Trevor,...

Read more reviews

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences