The Unpronounceable: Garth Greenwell
Adam Mars-Jones, 21 April 2016
The practice of modelling in negative space, making absent volume perform as part of the dynamism of the whole, is a standard technique in visual arts, in sculpture above all, but there is a parallel set of strategies available to writers, even if it doesn’t formally go by that name. When Rayner Heppenstall published Four Absentees, his version of an autobiography, for instance, he...





