Ever since the reports of October’s foiled ink-cartridge bombings mentioned that a book was in one of the boxes along with the printer, I’ve wondered what it was, and if it had some symbolic meaning. It was impossible to make out in news photographs, but the mystery is solved in the November issue of al-Qaida in the Arabian Peninsula’s English-language magazine (via Christopher Hitchens in Slate), which published pictures of one of the bombs being made and a close-up of the book:
Is the cover torn off because of Islamist hard-liners’ objections to graven images? On the front of the Oxford World’s Classics edition in question there’s a portrait of a mournful-looking boy by the Liverpudlian painter Thomas Hargreaves. As for the book itself: ‘We were very optimistic about the outcome of this operation,’ the article says. ‘That is why we dropped into one of the boxes a novel titled, Great Expectations.’ It’s as unsophisticated as the magazine’s own name, Inspire. There may be a bit more to it, though: Anwar Awlaki, AQAP’s chief theoretician, read Dickens while he was in jail in Yemen; he liked Hard Times.
Inspire looks a bit like a British local authority’s magazine in the pre-austerity era. Much of its content, as Shiraz Maher of the International Centre for the Study of Radicalisation and Political Violence has pointed out, is aimed at ‘goading Western intelligence services’. The magazine boasts that the plot cost only $4200 (the Dickens a snip at £3.50) and was a success even though the bomb was detected, since the new airport security measures that have been introduced in response to it will cost the West ‘billions of dollars’, while doing nothing to prevent another attack. On this, at least, al-Qaida and Hitchens agree.