On and off the page

Thomas Nagel

There are writers and artists who dislike themselves – who attempt through their work to unearth, refine and then extrude something better than they are, something detached, pure and free-standing. I was put in mind of this recently while reading Ray Monk’s painful biography of Wittgenstein, who succeeded in creating a body of philosophical work so much finer and nobler than himself that for someone who has developed a strong attachment to the work, the contrast is very disturbing. Another common element of this syndrome is an aversion to the present and a desire to create something whose timelessness will take one out of the impure and anxious clutter of temporal life, something through which one can exist by proxy outside of time.

The full text of this book review is only available to subscribers of the London Review of Books.

You are not logged in