In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

Roanoke and WampumpeagSusan Wheeler

Child, entering Ye Olde Trading Post, takes the pegs upon the walls
For trees, fingers the beaded doll in buckskin dress, a moccasin,

A square of maple sugar maple leaf, small imprint of a fingernail
In its clear window. She wants the Minnesota charm in green,

Six of ten thousand lakes in silver raised, Babe the Blue Ox and her
Mate. REAL! CAN OF WORMS! a label states; another, on a bow

And arrows stapled into cellophane: APACHE ARROWHEADS,
AUTHENTIQUE. Dread of parents, parked, smoking, in the lot.

Piecework of the quiet shade. Piecework of the whoosh of trees
Blowing beyond log walls, adults murmuring over turquoise rings,

Low radio, woman propped with The Making of a President
Open in her hands. The child calculates the thieving odds, balks.

A brother, suddenly. Come ON. The dollar buys four old-tyme sticks,
Swirled barber poles in green and brown, horehound-hard and stale,

Each a member of the family’s, their car on gravel moving out, trunk
To traders and the totem pole, behind the ghastly, grinning cow.

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