Search Results

“... Miroslav​ Blam appreciates his apartment because it’s ‘in the centre of things, yet remains a hideaway’. A mansard at the top of his town’s most prominent building, on the edge of Main Square, it presents several lines of defence. There is a watchful janitor, no lift, many stairs to climb, ‘meddlesome people’ to pass. Even if you find the apartment, you might not find Blam: he may have slipped out along the narrow walkway that crosses the roof, above ‘the abyss’ of Main Square ...”

“... In the 1980s I translated some of the late novels and stories of Alberto Moravia, elderly but still prolific. These books, which abandoned observation of society for concerns with ageing and sex, did not get a good press and have since disappeared from the shelves, while Moravia’s earlier work will be a part of Italian education for decades to come ...”

“... When Lot lived in Sodom and Gomorrah,’ Peter wrote in his Second Epistle, ‘he was oppressed and tormented day after day by their lawless deeds.’ Having grown up in Naples, Roberto Saviano is similarly tormented and oppressed. Gomorrah is his account of the lawless deeds of the Camorra, the Neapolitan Mafia. Conveniently assonant as the two names may be, the crimes of Naples are not those we associate with the Cities of the Plain, and Saviano is not the righteous man who withdraws when God steps in to incinerate the sinful townsfolk ...”

“... Look both ways when you cross the street,’ Giovanni’s mother tells him when he goes out. He’s a careless boy, easily distracted, and the reader is primed. In the street, the boy is ‘so pleased with how careful he’s being that he starts hopping along like a sparrow’. A polite gentleman warns him that this is carelessness indeed: ‘You see? You’ve already lost a hand ...”

“... Jhumpa Lahiri​ made her name with two collections of stories – Interpreter of Maladies (1999) and Unaccustomed Earth (2008) – in which a range of characters negotiate the kinds of tension that Lahiri herself may have experienced growing up in New England as the daughter of Bengali immigrants. Families are torn between different cultures and languages, children divide their loyalties between Eastern parents and Western partners ...”

“... Between​ the third and fifth centuries of the Christian era the major world religions ceased to sacrifice animals to appease their gods. For reasons that remain unclear, a practice that had been central to devotional behaviour for thousands of years came to appear grotesque. Joseph Farrell observes that the practice of duelling is now similarly ‘uniformly judged as outlandish and incomprehensible’, its ‘canons and creeds … as beyond recall as the beliefs of the ancient Egyptians ...”

“... In the 13th century, Florence banned its noble families from holding public office and instituted a republic. The names of a few hundred select citizens were placed in leather bags and every two months a new government was drawn by lot. In more conservative Venice, a group of nobles simply elected one of their number doge for life. There was no question of hereditary succession ...”

“... Despite his eighty years (1893-1973) and many publications, an air of incompletion lingers about the work of Carlo Emilio Gadda. His most popular novel, That Awful Mess on the Via Merulana, is an unfinished murder story. His best work, Acquainted with Grief, is again unfinished and again leaves us with an unsolved crime (in this case we are not even sure whether the victim will die or not ...”

“... On 22 February 1854, James Buchanan, then the American ambassador in London but soon to be president of the US, celebrated George Washington’s birthday with a dinner to which Giuseppe Mazzini and Giuseppe Garibaldi were invited. At Mazzini’s request other leading revolutionaries were present: Kossuth (Hungary), Worcell (Poland), Ruge (Germany), Herzen (Russia) and Ledru-Rollin (France ...”

“... Ecstasy​ and chastity. In Alphonse de Lamartine’s two most famous novels, a young man and woman seem to feel for each other what we usually think of as romantic love, but never become lovers, don’t kiss and hardly touch. The ostensible reasons for this are social and moral. In Graziella, the class difference between the young French aristocrat and the Neapolitan fisherman’s daughter makes marriage unimaginable to both of them ...”

“... Given​ the current enthusiasm for the practice of literary translation, the frequent claims that this or that English version captures or even surpasses the original, one might suppose that there is little point in reading a foreign novel in the original language. Yet some literary styles remain elusive in translation. The characters in Elsa Morante’s masterpiece, Arturo’s Island, are bewitched and bewitching, in thrall to someone, or to some idea, and, simultaneously, enthralling to someone else ...”

“... The Lord giveth​ and the Lord taketh away. Likewise François-René de Chateaubriand. Again and again, in this first volume of Memoirs from beyond the Grave, a character is introduced only for their death to be immediately announced. ‘President Le Pelletier de Rosambo, who later died with such courage, was, when I arrived in Paris, a model of frivolity ...”

“... In​ 1974, aged 71, having announced the end of a writing career that had produced nearly two hundred novels, and having retreated from a mansion with 11 servants to a small house in Lausanne where he lived with his second wife’s ex-maid, Georges Simenon dictated his Letter to My Mother, Henriette Simenon née Brüll, who had died four years earlier ...”

“... Perhaps the finest piece of storytelling in this novel has to do with the death of a dog. Three characters are involved: Michael Luxton, a taciturn dairy farmer; Jack, his elder son, aged 26; and Tom, his much younger son, approaching his 18th birthday. The old sick dog, named Luke, was originally just a farm dog, then for many years Jack’s close companion, but now more recently Tom’s ...”

“... Whenever​ we are in the company of J.M. Coetzee, whether it be an interview, a novel, a memoir or an essay, we are inexorably drawn into the realm of the ethical. We must judge and be judged, or at least strive to do the one and brace ourselves for the other. Hence a book titled The Good Story will not offer an analysis of the qualities that make for a satisfying reading experience, but investigate the consequences of storytelling in terms, frankly, of good and evil ...”