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21 February 1980
Smile Please: An Unfinished Autobiography 
by Jean Rhys.
Deutsch, 173 pp., £4.95, November 1980, 0 233 97213 7
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Jean Rhys: A Critical Study 
by Thomas Staley.
Macmillan, 140 pp., £10, November 1980, 0 333 24522 9
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My Blue Notebooks 
by Liane de Pougy, translated by Diana Athill.
Deutsch, 288 pp., £7.50, October 1980, 0 233 97141 6
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The Maimie Papers 
edited by Ruth Rosen and Sue Davidson.
Virago, 450 pp., £9.95, September 1980, 0 86068 114 9
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Gladys, Duchess of Marlborough 
by Hugo Vickers.
Weidenfeld, 299 pp., £8.95, September 1980, 0 297 77652 5
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... Staying in Castries for the wedding was a young man called Mr Kennaway. When he watches me I can see that he doesn’t think I am pretty. Oh God, let me be pretty when I grow up. Jean Rhys was 12 at the time of the wedding in Castries, on the island of St Lucia. At the age of six a photograph had been taken of her: she looked very pretty then in a new white dress ...

Root Books

Julie Davidson

7 November 1985
Henry Root’s A-Z of Women 
by William Donaldson.
Weidenfeld, 180 pp., £7.95, July 1985, 0 297 78593 1
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... to swallow the most pop-eyed examples of Root’s exhortations. Your Man on the Door-Step pursued the Prime Minister into office and into the second volume of letters, The Further Letters of Henry Root, with advice of this nature: ‘Let’s dump the doves and rout the wets! (By which I don’t necessarily mean old Willie Wethouse though he is beginning ...

Diary

James Davidson: Face to Face with Merce Cunningham

2 November 2000
... Fire Station it was taught by, among others, a remarkable woman who I think was the choreographer Sue MacLennan. If Cunningham was about mastering the body’s weight, Release was about giving in to it. There were still strings attached to the room around you, but instead of suspending you along some taut vertical axis and helping you keep centred, these ...
24 May 2001
Allen Tate: Orphan of the South 
by Thomas Underwood.
Princeton, 447 pp., £21.95, December 2000, 0 691 06950 6
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... and perhaps his love pursuits were similarly energised. O’Gorman may have been intending to pursue some fancy thesis of this kind, but in the end he despaired of his attempts to ‘find a way to deal with this erotic element’ – indeed, the poet’s widow threatened to sue him if he kept on trying. His biography of ...

Dialect does it

Blake Morrison

5 December 1985
No Mate for the Magpie 
by Frances Molloy.
Virago, 170 pp., £7.95, April 1985, 0 86068 594 2
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The Mysteries 
by Tony Harrison.
Faber, 229 pp., £9.95, August 1985, 9780571137893
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Ukulele Music 
by Peter Reading.
Secker, 103 pp., £3.95, June 1985, 0 436 40986 0
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Hard Lines 2 
edited by Ian Dury, Pete Townshend, Alan Bleasdale and Fanny Dubes.
Faber, 95 pp., £2.50, June 1985, 0 571 13542 0
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No Holds Barred: The Raving Beauties choose new poems by women 
edited by Anna Carteret, Fanny Viner and Sue Jones-Davies.
Women’s Press, 130 pp., £2.95, June 1985, 0 7043 3963 3
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Katerina Brac 
by Christopher Reid.
Faber, 47 pp., £8.95, October 1985, 0 571 13614 1
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Skevington’s Daughter 
by Oliver Reynolds.
Faber, 88 pp., £8.95, September 1985, 0 571 13697 4
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Rhondda Tenpenn’orth 
by Oliver Reynolds.
10 pence
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Trio 4 
by Andrew Elliott, Leon McAuley and Ciaran O’Driscoll.
Blackstaff, 69 pp., £3.95, May 1985, 0 85640 333 4
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Mama Dot 
by Fred D’Aguiar.
Chatto, 48 pp., £3.95, August 1985, 0 7011 2957 3
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The Dread Affair: Collected Poems 
by Benjamin Zephaniah.
Arena, 112 pp., £2.95, August 1985, 9780099392507
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Long Road to Nowhere 
by Amryl Johnson.
Virago, 64 pp., £2.95, July 1985, 0 86068 687 6
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Mangoes and Bullets 
by John Agard.
Pluto, 64 pp., £3.50, August 1985, 0 7453 0028 6
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Ragtime in Unfamiliar Bars 
by Ron Butlin.
Secker, 51 pp., £3.95, June 1985, 0 436 07810 4
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True Confessions and New Clichés 
by Liz Lochhead.
Polygon, 135 pp., £3.95, July 1985, 0 904919 90 0
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Works in the Inglis Tongue 
by Peter Davidson.
Three Tygers Press, 17 pp., £2.50, June 1985
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Wild Places: Poems in Three Leids 
by William Neill.
Luath, 200 pp., £5, September 1985, 0 946487 11 1
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... be made to take, ought there to be a glossary, ‘ee by gum’ or ‘eeh baah gum’? (The issues are raised by William Neill when he prints two versions of the same poem on facing pages, both in dialect but one a good deal more dialectal than the other.) Since poets are not etymologists they may play fast and loose, as MacDiarmid did when assembling ...

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