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Mrs Schumann’s Profession

Denis Arnold, 22 May 1986

The Cambridge Music Guide 
edited by Stanley Sadie and Alison Latham.
Cambridge, 544 pp., £15, October 1985, 0 521 25946 0
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Tudor Music 
by David Wulstan.
Dent, 378 pp., £20, October 1985, 0 460 04412 5
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The Music Profession in Britain since the 18th Century: A Social History 
by Cyril Ehrlich.
Oxford, 269 pp., £22.50, January 1986, 0 19 822665 9
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Clara Schumann: The Artist and the Woman 
by Nancy Reich.
Gollancz, 346 pp., £15.95, October 1985, 0 575 03755 5
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Lorenzo Da Ponte: The Life and Times of Mozart’s Librettist 
by Sheila Hodges.
Granada, 274 pp., £12.95, October 1985, 0 246 12001 0
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... English musicology has always embraced the Big Bang theory, which is to say that musical history is the story of great composers. Tovey’s remark that there are Great Composers and there are Interesting Historical Figures sums it up quite well. The German school has for the most part believed in principles and (since its discipline was born in the times of Darwin) the development of the species – whether symphony, harmonic idiom or orchestration ...

Life with Ms Cayenne Pepper

Jenny Turner: The Chthulucene, 1 June 2017

Manifestly Haraway: ‘A Cyborg Manifesto’, ‘The Companion Species Manifesto’, Companions in Conversation (with Cary Wolfe) 
by Donna Haraway.
Minnesota, 300 pp., £15.95, April 2016, 978 0 8166 5048 4
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Staying with the Trouble: Making Kin in the Chthulucene 
by Donna Haraway.
Duke, 312 pp., £22.99, August 2016, 978 0 8223 6224 1
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... text excited a wave of subversive female enthusiasm for the new networks and machines,’ as Sadie Plant wrote in her 1997 rhapsody, Zeroes + Ones.More recently, ‘the manifesto of Donna Haraway’ was listed by Elena Ferrante as one of the three books that has most influenced her as a writer (the other two were Tu che mi guardi, tu che mi racconti by ...

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