Search Results

Advanced Search

1 to 15 of 36 results

Sort by:

Filter by:


Article Types



8 September 1994
A Pitch of Philosophy: Autobiographical Exercises 
by Stanley Cavell.
Harvard, 196 pp., £20.75, July 1994, 0 674 66980 0
Show More
Show More
... one is honest) are inherently uncertain, often contradictory, and usually tinged with emotion. As Stanley Cavell concedes at the outset of his own set of ‘autobiographical exercises’, the thinker who has chosen to examine himself risks turning ‘philosophically critical discourse into clinical discourse’. ...

Why praise Astaire?

Michael Wood: Stanley Cavell

20 October 2005
Philosophy the Day after Tomorrow 
by Stanley Cavell.
Harvard, 302 pp., £18.95, May 2005, 0 674 01704 8
Show More
Show More
... say that the ordinary doesn’t exist, or that it exists only when we don’t look at it closely? Stanley Cavell has been thinking about the ordinary (although not only about that) for the whole of his philosophical career, and he knows the riddle inside out. But the riddle is not where his interest lies. He doesn’t mind if the world goes strange on ...
21 April 1988
William Shakespeare: A Textual Companion 
by Stanley Wells, Gary Taylor, John Jowett and William Montgomery.
Oxford, 671 pp., £60, February 1988, 0 19 812914 9
Show More
Disowning Knowledge in Six Plays of Shakespeare 
by Stanley Cavell.
Cambridge, 226 pp., £25, January 1988, 0 521 33032 7
Show More
A History of English Literature 
by Alastair Fowler.
Blackwell, 395 pp., £17.50, November 1987, 0 631 12731 3
Show More
Show More
... to it, except when, somewhere along the way, they changed their minds about Original Spelling. Stanley Cavell calls himself an amateur, which is modest, considering the celebrity of his Shakespeare essays, of which one, the long meditation on King Lear, has been on reading lists for twenty years. However, he is by vocation a philosopher, of ...

Green Films

Geoffrey Hawthorn

1 April 1982
Pursuits of Happiness: The Hollywood Comedy of Remarriage 
by Stanley Cavell.
Harvard, 283 pp., £12.25, December 1981, 0 674 73905 1
Show More
Show More
... that a play never can. It also, as the film it is, refers repeatedly to itself. So, at least, does Cavell see it. He is not one of those critics, therefore, ‘who cannot imagine that the products of the Hollywood studio system could in principle rival the exports of revolutionary Russia.’ On the contrary. Americans, he says, overpraise but undervalue their ...

Finding Words

Stanley Cavell

20 February 1997
Terrors and Experts 
by Adam Phillips.
Faber, 128 pp., £6.99, February 1997, 0 571 17584 8
Show More
Show More
... EARLY in his lovely and useful book on D.W. Winnicott, published in 1988, Adam Phillips gives a sketch of certain aims and fates of that increasingly treasured figure of British psychoanalysis which maps certain of his own directions in his recent collection of psychoanalytic essays, Terrors and Experts. Winnicott would also enjoy playing off a language of common-sense against a language of professional expertise ...
6 January 1994
The Marx Brothers: ‘A Day at the Races’, ‘Monkey Business’ and ‘Duck Soup’ 
introduced by Karl French.
Faber, 261 pp., £8.99, November 1993, 0 571 16647 4
Show More
Show More
... Movies magnify, so when pictures began talking they magnified words. Somehow, as in the case of opera’s magnification of words, this made their words mostly ignorable, like the ground, as if the industrialised human species had been looking for a good excuse to get away from its words, or looking for an explanation of the fact that we do get away, even must ...

Time after Time

Stanley Cavell

12 January 1995
... Keep in mind that I come from that part of the world for which the question of old and new – call it the question of a human future – is, or was, logically speaking, a matter of life and death: if the new world is not new then America does not exist, it is merely one more outpost of old oppressions. Americans like Thoreau (and if Thoreau then Emerson and Walt Whitman, to say no more) seem to have lived so intensely or intently within the thought of a possible, and possibly closed, future that a passage like the following would be bound to have struck them as setting an old mood: ‘Everything is worn out: revolutions, profits, miracles ...

At the Movies

Michael Wood: Yasujiro Ozu

25 February 2010
Yasujiro Ozu Season 
BFI Southbank 2010, until 28 February 2010Show More
Show More
... said that in moving pictures ‘we see life as it is when we have no part in it,’ and the one Stanley Cavell evokes when he speaks of films as presenting a world that is complete without us, a world we seek both to deny and to welcome. We don’t want a world that is complete without us: that is why we place ourselves in the movies, borrow their ...

At the Movies

Michael Wood: ‘Gone Girl’

22 October 2014
Gone Girl 
directed by David Fincher.
Show More
Show More
... spoilers than usual. ‘One can feel​ that there is always a camera left out of the picture,’ Stanley Cavell wrote in The World Viewed, ‘the one working now.’ The proliferation of selfies has familiarised us with first-person photography but nothing so far has solved the problem of first-person narration in film. Whatever subjective-looking ...

At the Movies

Michael Wood: ‘The Awful Truth’

24 May 2018
... greatest screwball of them all’. And that it is the greatest of the comedies of remarriage that Stanley Cavell studies in his book Pursuits of Happiness. It’s a little harder to say why. The film is not as fast and zany as Bringing up Baby, and not as wise and worldly as His Girl Friday. Part of the answer to the question is, as Haskell says, the ...
5 June 1980
Philosophy and the Mirror of Nature 
by Richard Rorty.
Blackwell, 401 pp., £12.50, May 1980, 0 631 12961 8
Show More
The Claim of Reason: Wittgenstein, Skepticism, Morality and Tragedy 
by Stanley Cavell.
Oxford, 511 pp., £12.50, February 1980, 0 19 502571 7
Show More
Philosophy As It Is 
edited by Ted Honderich and Myles Burnyeat.
Pelican, 540 pp., £2.95, November 1979, 0 14 022136 0
Show More
Show More
... the cultural power of these problems. To someone anxious to make an adequate response to Rorty, Stanley Cavell’s new and long-awaited book The Claim of Reason, at first promises well. Cavell announces at the outset that part of the importance of Wittgenstein’s writing is that it ‘is not of a character that ...
20 December 1984
Themes out of School: Causes and Effects 
by Stanley Cavell.
Scolar/North Point, 288 pp., £16.95, January 1985, 0 86547 146 0
Show More
Show More
... Since the publication of Must we mean what we say? in 1969, it has been said that Stanley Cavell’s books are unreviewable, a remark that will no doubt again be applied to his latest work. This remark has been repeated too often, by too many distinguished and distinctive philosophers, to be simply false, but neither should it be taken as flatly true ...


John Lanchester

21 October 1993
United States 
by Gore Vidal.
Deutsch, 1298 pp., £25, October 1993, 0 233 98832 7
Show More
What Henry James Knew, and Other Essays on Writers 
by Cynthia Ozick.
Cape, 363 pp., £12.99, June 1993, 0 224 03329 8
Show More
Sentimental Journeys 
by Joan Didion.
HarperCollins, 319 pp., £15, January 1993, 0 00 255146 2
Show More
Show More
... The writers who have used the form in the questioning spirit – the essayists, from Montaigne to Stanley Cavell, who generate a sense that the act of writing is for them a genuine process of intellectual exploration – are far outnumbered by those for whom the essay is a forum for pyrotechnics and exhibitionism, for politics and for performance. The ...
3 March 1988
The Renewal of Literature: Emersonian Reflections 
by Richard Poirier.
Faber, 256 pp., £14.95, March 1988, 0 571 15013 6
Show More
Show More
... poets, Whitman, Frost and Stevens; among critics and theorists, John Hollander, Harold Bloom, Stanley Cavell, George Kateb, Richard Rorty and Sacvan Bercovitch. Strong claims are made for the validity of the Emersonian position – it represents ‘what literature is most often trying to tell us about itself and how it wants to be read’ – and a ...

At the Movies

Michael Wood: Agnès Varda

5 November 2009
... turns out, because he seems to have left the set. An old dream of cinema, from Virginia Woolf to Stanley Cavell. Life gesticulates or vegetates; the camera keeps ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Read More

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences