Search Results

Advanced Search

1 to 12 of 12 results

Sort by:

Filter by:


Article Types




David Gascoyne: Notebook, New Year 1991

25 January 1996
... Ordered flowers for February 1st (Judy’s birthday). Lunch with Chloë Grant-Edwards, Bruce van Barthold’s grandmother, at Sailing Club. The European. Indifferent TV. Saturday 12: – Letter from SimonCallow, at last – Supermarket – Cowes. Ian Gibson’s Assassination of F.G. Lorca from library (rather disappointing). – Picked up Humphrey Carpenter’s Ezra Pound: A Serious Character ...

Thunder in the Mountains

J. Hoberman: Orson Welles

6 September 2007
Orson Welles: Hello Americans 
by Simon Callow.
Vintage, 507 pp., £8.99, May 2007, 978 0 09 946261 3
Show More
What Ever Happened to Orson Welles? A Portrait of an Independent Career 
by Joseph McBride.
Kentucky, 344 pp., $29.95, October 2006, 0 8131 2410 7
Show More
Show More
... film-maker’, Ed Wood, contrived to have the two misunderstood auteurs meet in a tawdry Tinseltown lounge.) In addition to all this, there is an apparently unending succession of books, of which SimonCallow’s ongoing biography is the most monumental, now two volumes in and not even arrived at The Third Man, the 1949 movie that made Welles a myth. Callow’s second volume, Hello Americans, is ...
3 October 1996
Orson Welles: The Road to Xanadu 
by Simon Callow.
Cape, 640 pp., £20, March 1995, 0 224 03852 4
Show More
Rosebud: The Story of Orson Welles 
by David Thomson.
Little, Brown, 460 pp., £20, September 1996, 0 316 91437 1
Show More
Show More
... By the end of his life Orson Welles weighed 350 pounds. His appetite, though, was not a late development. In SimonCallow’s biography the composer Virgil Thomson reports the 22-year-old actor-director devouring ‘oysters and champagne, red meat and burgundy, dessert and brandy’ immediately before squeezing into a ...

Dear God

Theo Tait: Patrick McGrath’s Gothic

19 August 2004
Port Mungo 
by Patrick McGrath.
Bloomsbury, 241 pp., £16.99, May 2004, 0 7475 7019 1
Show More
Show More
... I think. For a start, the narrator is supposed to be a woman, but she doesn’t sound like one. She sounds like a hammy male actor in late middle age – perhaps Christopher Lee in his prime, or SimonCallow. She is Gin Rathbone, and she introduces herself with these fine words: ‘I am a tall, thin, untidy Englishwoman, I drink too much and yes, I suppose I am rather – oh, detached – distant ...

All about Me

Kevin Kopelson: Don Bachardy

8 April 2015
by Don Bachardy.
Glitterati, 368 pp., £45, October 2014, 978 0 9913419 2 4
Show More
Show More
... Michael Holroyd and one of Dorothy Parker by Marion Meade. In Holroyd’s book, I was most struck by some portraits – reproduced in full colour – that had been done of Strachey; there’s one by Simon Bussy, drawn in 1904 (the year of Isherwood’s birth); there’s one by Henry Lamb, painted in 1914; there’s one by Dora Carrington from 1916. In Meade’s book, I was most struck by the following ...

The Monte Lupo Story

Simon​ Schama

18 September 1980
Faith, Reason and the Plague 
by Carlo Cipolla.
Harvester, 112 pp., £7.50, November 1980, 0 85527 506 5
Show More
Show More
... victims of a Tuscan hill village in 1630-1 – or by extension, anything that ever happened to anyone at any time between 1400 and 1800 – our contemplation of Michelangelo, Bernini and Voltaire is callow and impoverished. The Low Puff refers more tactfully to ‘spare’ prose and ‘deft’ strokes, evoking the warbling of the piccolo rather than the swell of the Vox Humana. I should in fairness add ...

Laertes has a daughter

Bee Wilson: The Redgraves

6 June 2013
The Redgraves: A Family Epic 
by Donald Spoto.
Robson, 361 pp., £25, November 2012, 978 1 84954 394 1
Show More
The House of Redgrave: The Lives of a Theatrical Dynasty 
by Tim Adler.
Aurum, 336 pp., £20, July 2012, 978 1 84513 623 9
Show More
Show More
... in Hyde Park, thought that ‘she was perhaps more persuasive as an actress than as a public speaker’). In the 1970s, Corin and Vanessa were prominent members of the Workers Revolutionary Party. SimonCallow described seeing Corin, dressed in a trench coat and sitting at a trestle table under a naked light bulb, shouting that the government was on the point of surrounding Heathrow airport with ...


David Lan: On Jim Allen’s Perdition

2 April 1987
... I was totally uninterested in – not to say, embarrassed by – Zionism, or, more accurately, by Zionists. How I felt is captured by Lenni Brenner’s account, in Jews in America Today* of the callow youth who are heard to say: ‘I wouldn’t be seen dead with those creeps.’ Reading the correspondence Perdition elicited, it came back to me why I felt as I did. In the play, Ruth Kaplan charges ...


David Bromwich: This was Orson Welles

3 June 2004
Orson Welles: The Stories of His Life 
by Peter Conrad.
Faber, 384 pp., £20, September 2003, 0 571 20978 5
Show More
Show More
... are shuffled, put into little piles, divided by suit or number and then reshuffled. This makes it a maddening book to read, and only someone who knows the biographies of Welles by Charles Higham, SimonCallow and others is likely to guess what Conrad is up to and why. Yet he is also writing criticism. Here the difference should matter between a line written as a writer writes and a line spoken as ...
20 March 2008
... here, you see, being mostly confined as we are to conveyancing – ’ ‘Road traffic offences,’ I said. ‘Offences against the person.’ ‘Yes, that sort of lark. Plus I understand young Simon offered her the extra hundred a year.’ ‘Probably luncheon vouchers,’ I said. ‘I shouldn’t wonder.’ ‘Occam’s Razor shaves you closer,’ I said. I had only begun to suspect something ...
16 August 1990
... the reserved Shylock mimics others; even Crab the dog is a kind of joke about what T. S. Eliot might have called ‘acting and not-acting’. In a memorable autobiographical study, an actor – SimonCallow – has described the long discipline of learning to act as a ‘re-inventing’ of the physical self, an actual ‘re-birthing’. This is the context from which Falstaff was ‘borne about ...

Mr Trendy Sicko

James Wolcott

23 May 2019
by Brett Easton Ellis.
Picador, 261 pp., £16.99, May, 978 1 5290 1239 2
Show More
Show More
... House editor who created the trade paperback series Vintage Contemporaries, the springboard for Jay McInerney’s breakthrough novel, Bright Lights, Big City, and Morgan Entrekin, the editor at Simon and Schuster who acquired Bret Easton Ellis’s Less than Zero. Lish had the cult cred, but their properties shone the brightest. Gary and Morgan, Morgan and Gary, Jay and Bret, Bret and Jay – how ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Read More

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences