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“... Does an Italian poet need translating even when he writes in English? Two of the poems in Disaffections make you wonder. Pavese addressed them to Constance Dowling, the American actress with whom he was involved in the months before his suicide in 1950, and they now frame the sequence published posthumously as Verrà la morte e avrà i tuoi occhi (‘Death Will Come and Will Have Your Eyes ...”

“... titles suggest. (An outline of Dante’s life is provided separately in a short essay by Matthew Reynolds, Griffiths’s co-editor.) A reader will come away from Griffiths’s piece having heard a good deal about Dante’s works and the world from which they issued. But the manner of the introduction is so peculiar that its information is less salient than ...”

“... Throughout the 19th century, Italian critics attributed to Dante’s Commedia the formal and linguistic unity they desired for their country. It is ‘a national Bible’, de Sanctis said; ‘harmony,’ Mazzini affirmed, ‘flows throughout in full tide.’ Similar ideas flourished in Britain and Ireland, encouraged by the tendency of early translators to naturalise Dante in flattened versions of recognisable styles ...”

“... In Italy you can buy poetry T-shirts featuring lines by Dante, Leopardi and others. The Ungaretti shirt is good value: it gives you a whole work, though not a very long one. ‘Mattina’ (‘Morning’) reads in its entirety as follows: M’illumino d’immenso In books, those words are tethered to a particular location, Santa Maria la Longa, 26 January 1917; but there is a rightness about their transplantation to innumerable present-day torsos ...”