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Law and Class

Francis Bennion, 1 May 1980

Respectable Rebels 
edited by Roger King.
Hodder, 200 pp., £10.95, October 1979, 0 340 23164 5
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The Judge 
by Patrick Devlin.
Oxford, 207 pp., £7.50, September 1979, 0 19 215949 6
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Human Rights 
edited by F.E. Dowrick.
Saxon House, 223 pp., £9.70, July 1979, 0 566 00281 7
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In on the Act 
by Sir Harold Kent.
Macmillan, 273 pp., £8.95, September 1979, 0 333 27120 3
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Law, Justice and Social Policy 
by Rosalind Brooke.
Croom Helm, 136 pp., £7.95, October 1979, 0 85664 636 9
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Inequality, Crime and Public Policy 
by John Braithwaite.
Routledge, 332 pp., £10.75, November 1979, 0 7100 0323 4
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... use as such is indirect and mostly unconscious. Sociologists do not seem to see it as oppressive. Rosalind Brooke’s rapid account ‘for students of social policy’ says nothing of this aspect, though something of virtually every other. Despite the voluminous references, students will learn little of law from it unless they already know a great ...

Unsex me here

John Bayley, 20 May 1982

Shakespeare’s Division of Experience 
by Marilyn French.
Cape, 376 pp., £12.50, March 1982, 0 224 02013 7
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... a duel, so that ‘they cling almost lovingly to their female limitations.’ This may be true of Rosalind and Viola, but Portia only clings to female limitations in the sense that when she has finished putting the male world to rights she is happy to go home and get married. No one in the play seems surprised either by her ability to sort out the problems in ...

Mingling Freely at the Mermaid

Blair Worden: 17th-century poets and politics, 6 November 2003

The Crisis of 1614 and the Addled Parliament: Literary and Historical Perspectives 
edited by Stephen Clucas and Rosalind Davies.
Ashgate, 213 pp., £45, November 2003, 0 7546 0681 3
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The Politics of Court Scandal in Early Modern England: News Culture and the Overbury Affair 1603-60 
by Alastair Bellany.
Cambridge, 312 pp., £45, January 2002, 0 521 78289 9
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... in which she shows Spenser’s literary heirs George Wither, William Browne and the MP Christopher Brooke co-ordinating political with poetic pressure on the Crown at moments of political turmoil in the 1620s. Or there is 1667, when Marvell’s Last Instructions to a Painter, and plays by Sir Robert Howard and the Earl of Orrery, seized on the hope of ...


Giles Gordon: Experimental Sideshows, 7 October 1993

... meant it, as though they meant it to matter ... Samuel Beckett (of course), John Berger, Christine Brooke-Rose, Brigid Brophy, Anthony Burgess, Alan Burns, Angela Carter, Eva Figes, Giles Gordon, Wilson Harris, Rayner Heppenstall, even hasty, muddled Robert Nye, Ann Quin, Penelope Shuttle, Alan Sillitoe (for his last book only. Raw Material indeed), Stefan ...

Poor Darling

Jean McNicol, 21 March 1996

Vera Brittain: A Life 
by Paul Berry and Mark Bostridge.
Chatto, 581 pp., £25, October 1995, 0 7011 2679 5
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Vera Brittain: A Feminist Life 
by Deborah Gorham.
Blackwell, 330 pp., £20, February 1996, 0 631 14715 2
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... woman to have served during the war and returned to the college, responded ‘in the words of Rosalind in As You Like It’ that ‘I had rather have a fool to make me merry than experience to make me sad; and to travel for it too!’ The motion was unanimously rejected and Vera returned to her room, ‘lay on the cold floor and wept with childish ...

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