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Samuel’s Slave

Caroline Moorehead, 15 May 1980

Lover on the Nile 
by Richard Hall.
Collins, 254 pp., £7.95, February 1980, 9780002164719
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Nellie: Letters from Africa 
by Elspeth Huxley.
Weidenfeld, 326 pp., £8.95, March 1980, 0 297 77706 8
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Black Country Girl in Red China 
by Esther Cheo Ying.
Hutchinson, 191 pp., £5.95, January 1980, 9780091390808
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... with them, and what, exhausted, exhilarated or astonished, they carry away. Lovers on the Nile is Richard Hall’s account of Samuel Baker’s voyage in search of the Mountains of the Moon with his young companion Florence. It is not so much a biography as the story of a seven-year travelling honeymoon. In fact, the book flows at an easy pace, but only ...

The Henry James Show

Ruth Bernard Yeazell, 7 January 1988

Henry James: A Life 
by Leon Edel.
Collins, 740 pp., £25, July 1987, 0 00 217870 2
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The Complete Notebooks of Henry James 
edited by Leon Edel and Lyall Powers.
Oxford, 662 pp., £25, March 1987, 0 19 503782 0
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... the 1980s by a touch of incestuous and homo-erotic feeling. Writing in the New Republic in 1979, Richard Hall faulted the five-volume biography for manifesting ‘a peculiar timidity at the centre of the work’. What was missing from Edel’s account, according to Hall, was not so much James’s ‘homo-erotic ...

The Real Johnny Hall

Penelope Fitzgerald, 3 October 1985

Our Three Selves: A Life of Radclyffe Hall 
by Michael Baker.
Hamish Hamilton, 386 pp., £13.95, June 1985, 0 241 11539 6
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... was ‘admirably restrained’. It sold quite well, going into a second impression, and Radclyffe Hall, with her lover Una Troubridge, thought of taking a cottage in Rye. She may have felt some disappointment, having planned her novel in a crusader’s spirit. She claimed to have written the first full-length treatment in English of women who loved women. In ...
... Zimbabwe with a roving commission on the continent – an appointment cutting across the role of Richard Hall, the paper’s Africa Correspondent. Nigel Hawkes, then Foreign News Editor, resigned that post in protest. The independent directors did not feel themselves called upon to adjudicate in that dispute since it was the editor’s own decision ...

Trollopiad

John Sutherland, 9 January 1992

The Chronicler of Barsetshire: A Life of Anthony Trollope 
by R.H. Super.
Manchester, 528 pp., £29.95, July 1990, 0 472 10102 1
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Anthony Trollope: A Victorian in his World 
by Richard Mullen.
Duckworth, 767 pp., £25, July 1990, 0 7156 2293 5
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Trollope: A Biography 
by N. John Hall.
Oxford, 581 pp., £25, October 1991, 0 19 812627 1
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... But most of it has disappeared. The collected letters are excellently edited by N. John Hall, but they run only to a couple of volumes. Dickens, by contrast, looks like amassing 15 or so fatter volumes in the Pilgrim edition. George Eliot’s eight volumes and Thackeray’s four (soon to be supplemented) all outweigh Trollope. There is a particular ...

The Blue Suit

Frederick Seidel, 7 June 2018

... Richard Anderson, master Savile Row tailor, Opens the eleventh-floor hotel room door Wearing a new suit so blue It makes me smile, Something no suit has been able to do for quite a while. Welcome to room 1111 at the Carlyle. When earlier in the morning Richard crossed the street To the pharmacy opposite, A stranger coming out of Zitomer’s cried out, ‘My God, that suit is blue!’ Which was hilariously true ...

Hard Beats and Spacey Bleeps

Dave Haslam, 23 September 1993

Will Pop Eat Itself? Pop Music in the Soundbite Era 
by Jeremy J. Beadle.
Faber, 269 pp., £7.99, June 1993, 9780571162413
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Present Tense: Rock & Roll and Culture 
edited by Anthony DeCurtis.
Duke, 317 pp., £11.95, October 1992, 0 8223 1265 4
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... a performance of ‘Go’, a dance record – a techno dance record – and solo composition by Richard ‘Moby’ Hall, created on his computer at home in New York. During its almost lyric-less six minutes and 30 seconds of fast beats, atonal bleeps and melodic keyboard lines, you hear ‘go’ shouted 37 ...

At Tate Modern

Anne Wagner: Richard Tuttle , 6 November 2014

... It’s easy​ to see why Richard Tuttle’s work has a tendency to rile people – in particular people who insist on believing that sculpture, even if it no longer needs to be solid and substantial, should at least cling to material existence. From early on Tuttle seemed set on refusing such notions; his work came across as impromptu and elusive, a mirage of fragments, shadows and traces, portable, and hardly built to last ...

The Schoolmen ride again

Richard Mayne, 15 May 1980

Cinema: A Critical Dictionary: The Major Film-Makers 
edited by Richard Roud.
Secker, 1120 pp., £25, February 1980, 9780436428302
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The Dream that Kicks: The Prehistory and Early Years of Cinema in Britain 
by Michael Chanan.
Routledge, 356 pp., £12.50, January 1980, 0 7100 0319 6
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... rather like the nervous citizens in High Noon when the new film schoolmen come riding into town. Richard Roud is a sensible critic, formerly the Guardian’s film reviewer and now Director of the New York Film Festival. ‘I tend to be wary,’ he says, ‘of systematic criticism and of any form of critical terrorism. And therefore wary of the new kinds of ...

Seventeen Million Words

Richard Poirier, 7 November 1985

The Inman Diary: A Public and Private Confession 
edited by Daniel Aaron.
Harvard, 1661 pp., £35.95, March 1986, 0 674 45445 6
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... he had since 1919 confined himself to an apartment building in downtown Boston named Garrison Hall. For as many as sixteen hours of a normal day he would stay in bed, when not sitting or reading in the bathroom. The rooms he frequented were kept shaded for the same reason his car was painted a dull black: to protect his eyes from glare. He suffered ...

Blood on the Block

Maurice Keen: Henry IV, 5 June 2008

The Fears of Henry IV: The Life of England’s Self-Made King 
by Ian Mortimer.
Vintage, 480 pp., £8.99, July 2008, 978 1 84413 529 5
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... unbidden from exile in July 1399 to claim his confiscated inheritance as Duke of Lancaster while Richard II was in Ireland, Henry Bolingbroke was greeted tumultuously as the prospective saviour of the realm. Richard, hurrying home, found himself deserted in mid-Wales and faced with no alternative to putting himself in his ...

Liberation Music

Richard Gott: In Memory of Cornelius Cardew, 12 March 2009

Cornelius Cardew: A Life Unfinished 
by John Tilbury.
Copula, 1069 pp., £45, October 2008, 978 0 9525492 3 9
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... avant-garde – Webern, Boulez and Stockhausen – to which his contemporaries Susan Bradshaw and Richard Rodney Bennett were also drawn. The mecca for music students in those days was Stockhausen’s headquarters at Darmstadt, where the ‘Darmstadt Headbangers’, as Tom Lubbock describes them, treated Britten and Shostakovich with derision as ...

Bottom

Richard Jenkyns: George Grote’s ‘A History of Greece’, 9 August 2001

A History of Greece: From the Time of Solon to 403 BC 
by George Grote, edited by J.M. Mitchell and M.O.B. Caspari.
Routledge, 978 pp., £60, September 2000, 0 415 22369 5
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... as a dutiful widow is the best source for his life. He did not have to worry about the pram in the hall, and his wealth enabled him from the age of 50 to devote his time to the ancient world. But even with these advantages, the History of Greece, ranging ‘from the earliest period to the close of the generation contemporary with Alexander the Great’, was a ...

Scaling Up

Peter Wollen: At Tate Modern, 20 July 2000

... established this stretch of riverside as a public space, and brought in its aftermath the Festival Hall, the National Film Theatre and, on the other side of Giles Gilbert Scott’s Waterloo Bridge, the new National Theatre. The next came in 1977, with the foundation of the Coin Street Action Group when, reacting against a decline in public housing and the ...

Simply Doing It

Thomas Laqueur, 22 February 1996

The Facts of Life: The Creation of Sexual Knowledge in Britain 1650-1950 
by Roy Porter and Lesley Hall.
Yale, 414 pp., £19.95, January 1995, 0 300 06221 4
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... suggest that maybe there is nothing to tell, only telling itself. Roy Porter and Lesley Hall say they agree with Michel Foucault that ‘sex must be understood as discursively produced.’ (Actually, I don’t think they do agree, but more about that later.) If we take the point, then the history of sexual knowledge becomes the history of the making ...

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