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10 November 1994
Wealth and the Demand for Art in Italy 1300-1600 
by Richard Goldthwaite.
Johns Hopkins, 266 pp., £25, July 1993, 0 8018 4612 9
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... was also the cradle of modern capitalism or at least of materialism; hence the revulsion felt by Ruskin and Ezra Pound, for example, at much 16th-century Italian art. In the Introduction to his book RichardGoldthwaite writes that it is an ‘enlargement of Jacob Burckhardt’s classic – and much-debated – vision of Renaissance Italy as the birthplace of the modern world’. But he takes no interest ...

Façades

Peter Burke

19 November 1981
The Building of Renaissance Florence: An Economic and Social History 
by Richard Goldthwaite.
Johns Hopkins, 459 pp., £16.50, April 1981, 0 8018 2342 0
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Public Life in Renaissance Florence 
by Richard​ Trexler.
Academic Press, 591 pp., £29.80, March 1981, 0 12 699550 8
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Civic Ritual in Renaissance Venice 
by Edward Muir.
Princeton, 356 pp., £10.80, August 1981, 0 691 05325 1
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Venice: The Greatness and the Fall 
by John Julius Norwich.
Allen Lane, 400 pp., £12, September 1981, 0 7139 1409 2
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Ruskin and Venice 
edited by Jeanne Clegg.
Junction, 233 pp., £10.50, September 1981, 0 86245 019 5
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The Stones of Venice 
by John Ruskin and Jan Morris.
Faber, 239 pp., £12.50, September 1981, 0 571 11815 1
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... Why Florence? What made this particular European city so important for the arts in the Renaissance? It’s a problem many historians have tried to solve. The latest is Professor Goldthwaite, an old Florentine hand who has moved from a study of the ways in which the Florentines made their money to a study of the ways in which they spent it. ‘Never show off your wealth,’ the ...

Patrons

Peter Burke

15 October 1987
Patronage, Art and Society in Renaissance Italy 
edited by F.W. Kent and Patricia Simons.
Oxford/Humanities Research Centre, 331 pp., £35, June 1987, 0 19 821978 4
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Pienza: The Creation of a Renaissance City 
by Charles Mack.
Cornell, 250 pp., $43.95, June 1987, 9780801416996
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Piety and Patronage in Renaissance Venice: Bellini, Titian and the Franciscans 
by Rona Goffen.
Yale, 285 pp., £30, July 1986, 0 300 03455 5
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Venetian Humanism in an Age of Patrician Dominance 
by Margaret King.
Princeton, 524 pp., £42.90, April 1986, 0 691 05465 7
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The Venetian Patriciate: Reality versus Myth 
by Donald Queller.
Illinois, 386 pp., $29.95, September 1986, 0 252 01144 9
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Tradesman and Traders: The World of the Guilds in Venice and Europe, c.1250-c.1650 
by Richard​ MacKenney.
Croom Helm, 289 pp., £35, January 1987, 0 7099 1763 5
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Florence, Rome and the Origins of the Renaissance 
by George Holmes.
Oxford, 273 pp., £25, November 1986, 0 19 822576 8
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From Humanism to the Humanities: Education and the Liberal Arts in 15th and 6th-Century Europe 
by Anthony Grafton and Lisa Jardine.
Duckworth, 224 pp., £29.95, January 1987, 0 7156 2100 9
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Renaissance and Revolt: Essays in the Intellectual and Social History of Early Modern France 
by J.H.M. Salmon.
Cambridge, 306 pp., £30, June 1987, 0 521 32769 5
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... time to time, as in the brief discussion by Dale Kent of the effect on the artistic patronage of the Pazzi and Rucellai families of their position as clients of the Medici. Some contributors, like RichardGoldthwaite (on consumer demand) and Bill Kent (on ties of neighbourhood), write well about topics on which they have already written elsewhere. Others break new ground, notably Ronald Weissman on ...

Make Something Happen!

Julian Bell: Paint Serious, Paint Big

2 December 2010
Salvator Rosa: Bandits, Wilderness and Magic 
by Helen Langdon, Xavier Salomon and Caterina Volpi.
Paul Holberton, 240 pp., £40, September 2010, 978 1 907372 01 8
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Painting for Profit: The Economic Lives of 17th-Century Italian Painters 
by Richard​ Spear and Philip Sohm et al.
Yale, 384 pp., £45, 0 300 15456 9
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Caravaggio: A Life Sacred and Profane 
by Andrew Graham-Dixon.
Allen Lane, 514 pp., £30, July 2010, 978 0 7139 9674 6
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The Moment of Caravaggio 
by Michael Fried.
Princeton, 304 pp., £34.95, 0 691 14701 9
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... then there was a gap, till the next genius’). Or are those all we need, in fact, if we happen to be writing the history of art? Three recent books bear on these issues. The Seicento specialists Richard Spear and Philip Sohm have put together Painting for Profit: The Economic Lives of 17th-Century Italian Painters, which explores what new co-ordinates one current academic strategy has to deliver ...

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