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Caesar’s body shook

Denis Feeney: Cicero, 22 September 2011

Cicero in Letters: Epistolary Relations of the Late Republic 
by Peter White.
Oxford, 235 pp., £40, August 2010, 978 0 19 538851 0
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... Certainly there is no other figure from the ancient world about whom we can know so much. As Peter White demonstrates, however, in his characteristically incisive and learned book, Cicero’s letters do not provide a window into his soul, any more than the numerous letters from his many correspondents provide a window into theirs (some of them seem ...

White Midas

Peter Redgrove, 6 July 1989

... It is the Pope, the veritable white Polish Pope, The Pope who has been a poet, the published Pope, He who kisses the soil, and accordingly Worships a Black Virgin, now like a Christ-child He has re-arrived, in a cradle, a deep wicker, And it has a glow of dayspring gold, an aura, As though he were frying delighted in pure oil: He was vibrating gold and this was his atmosphere, And I? I was tending him Like a secret ornament ...

At the White Cube

Peter Campbell: Anselm Kiefer, 22 February 2007

... The exhibition of Anselm Kiefer’s new work at White Cube Mason’s Yard (until 17 March) is entitled Aperiatur Terra – ‘let the earth open’ – the reference is to Isaiah 45.8: ‘Drop down, ye heavens, from above, and let the skies pour down righteousness: let the earth open, and let them bring forth salvation, and let righteousness spring up together; I the LORD have created it ...

White Lies

James Campbell: Nella Larsen, 5 October 2006

In Search of Nella Larsen: A Biography of the Colour Line 
by George Hutchinson.
Harvard, 611 pp., £25.95, June 2006, 0 674 02180 0
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... John had been deceived into thinking Clare was something else, an equally fictitious formula, ‘white’. They have no family because she feared children might show a touch of the tar brush. Before the fateful blow, John is asked casually by Irene Redfield, through whose eyes we see the action and who is also light enough to ‘pass’ when it suits her to ...
... enterprise on the largest scale, put together by a committee chaired by William Feaver. Modernist white walls mask the emphatic textures and shapes of the interior of the shell, so that Fifties Brutalism encloses Thirties Modern. But what is displayed in the cases and on the walls is an attempt at total recall. A huge range of objects is thrown together ...

At Tate Britain

Peter Campbell: Peter Doig, 6 March 2008

... Peter Doig painted Echo Lake in 1998. A man stands on the far side of a stretch of dark water. He is quite a way off, but you can see that he wears a white shirt and a dark tie. His hands are raised to his face. Is it to keep the light out of his eyes as he looks at you? Or is it to project his voice as he shouts? A police car, lights on, is parked behind him ...

Ach so, Herr Major

Nicholas Horsfall: Translating Horace, 23 June 2005

Horace: Odes and Epodes 
edited by Niall Rudd.
Harvard, 350 pp., £14.50, June 2004, 0 674 99609 7
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... the language in which it is expressed had changed. You need to go back to contemporary texts, as Peter White did in his excellent Promised Verse (1993). The exact relationship of Horace, Maecenas and Augustus is quite tricky enough without having to read the details through a distorting lens. It might be worth adding that what are normally called the ...

Unpasteurised

Peter Redgrove, 24 January 1985

... In a domed cadenza of ancient bricks. There are here tribes of black bats Littering their crisp white skeletons. We lick our fretted lips Free of their mermaid salts And a few feet below the ceiling A band of sparkling mineral crust; As though one put his salt Seed into the water, and seeded Their reservoirs and clouds So that all might become like him, My ...

The Offices in the Old Baths

Peter Redgrove, 17 November 1983

... for Peter Porter) I The maroon-hued slugs swallow the garden down. Out at sea the ships on fire with light Like burning soldiers drawn up on parade. I switch on the electric light; It is a furnace in a vase. Then the maroon that slaps the night: The lifeboat is out, One of those lighted ships is toiling With some current like a great maroon dragon; Let its stacked lights not be quenched ...

Model Railway Club, Staines

Peter Redgrove, 7 March 1985

... saddle-sized model trains, Chug under bare willow wickerwork gilded by winter sun Puffing more white steam than their crib-sized engines. Even the dog-shit is happy among these frosty hobbyists, Lying down as is its wont Like shed pelt of a ginger kind Tightly wound like secretive baskets Or submitting cleated to our boots. We share sunshine with the model ...

Two Poems

Peter Redgrove, 3 February 1983

... mud With snailtrack stitching, pyjamas of glittering silica, A shirt of schists, the cricketer’s white of china-clay, And the sea winking, and the waves leaping Over and over each other in the tidal circus, The little snapping white horses, And the green horses racing in the oaks. What is this Lord dressed in this ...

Sexual Nonconformism

Peter Laslett, 24 January 1980

Wanton Wenches and Wayward Wives: Peasants and Illicit Sex in Early 17th Century England 
by G.R. Quaife.
Croom Helm, 283 pp., £11.50, July 1980, 0 7099 0062 7
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A History of Myddle 
by Richard Gough, edited by Peter Razzell.
Caliban, 184 pp., £9, October 1980, 0 904573 14 1
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... to this: Upon Sunday the 18th and 25th days of this instant month of July, Thomas Odam with a white sheet upon his uppermost garment, and a white wand in his hand, shall come into the parish church at Charlton at the beginning of the forenoon service and stand forth in the middle space before the pulpit during the whole ...

At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... than anything painters commonly manage comes through. Sir John Herschel’s stubbly chin and wild white hair as they emerge from draped velvet in Julia Margaret Cameron’s photograph do not conform to the painterly canon of images of great men. But many early art photographs do recall paintings. Country people in ...

In Bexhill

Peter Campbell: Ben Nicholson, 20 November 2008

... head – the queen)’ The other dominant strand in Nicholson’s work consists of white or near white reliefs. Words like ‘purity’ and ‘balance’ stick to descriptions of them like a burr to a sock. It was these constructions of overlapping circles and rectangles that he finally came to concentrate on ...

Peter opened Paul the door

Leofranc Holford-Strevens: The Case for Case, 9 July 2009

The Oxford Handbook of Case 
edited by Andrej Malchukov and Andrew Spencer.
Oxford, 928 pp., £85, November 2008, 978 0 19 920647 6
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... what Latin grammarians call dativus commodi vel incommodi. Polish uses the dative both when Peter opens a tin of sardines for Paul and when he opens the door for him, Paul being in either instance enabled to perform an action. English uses the dative only when the action Paul is enabled to perform will be carried out on the direct object, so that ...

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