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“... of Sporting Ladies (c. 1770) is typical of many entries from whores’ directories included by Peter Wagner in Eros Revived. Harris’s List of Covent Garden Ladies, published regularly between 1760 and the early 1790s, prided itself on providing up-to-date information for the sporting gentlemen of London, including full details of starting prices and ...”
“... The bewildering variety of interests and standards in Wagner scholarship (or what passes for it) is congenitally resistant to study.’ Thus John Deathridge, the leading Wagner scholar of the English-speaking world, at the beginning of his chapter on Wagner research in the Wagner Handbook ...”
“... death is the real terminus that yields to no one.’Like anyone who has spent time thinking about Wagner, I have inevitably come back to the subject of boundaries and limits, and in particular to questions about the boundary that lies between Wagner’s works and his listeners, and about the experience, apparently not ...”
“... as ‘the Ring of the century’ – an accolade which plainly belongs to the 1951 Wieland Wagner production which inaugurated the ‘New Bayreuth’. Musically, the Boulez Ring cannot compare with Furtwängler’s La Scala performance or Knappertsbusch’s 1957 cycle, both available on record. Moreover, if the New Bayreuth approach to ...”
“... of the belief that Hitler has a specific history in German Romanticism. It is a delusion which Peter Paret and especially William Vaughan are quite ready to take for reality, while Norman Stone’s own dreams about ‘the positive qualities of Hitler, his real achievements’ (thus Professor J.H. Plumb’s Introduction) aid and abet it: if Hitler was some ...”
“... civilisation, philosophy, faith, God, talent, originality, Shakespeare, Beethoven, Schubert, Wagner. It seemed to Georg Henrik Von Wright, one of Wittgenstein’s literary executors, that many of these reflections would be of interest to people who would not read Wittgenstein’s philosophical work, even though the best understanding of most of them ...”
“... and the criminal, the professional and the political. Scull recounts the story of Julius Wagner von Jauregg, who was threatened with prosecution for the barbaric electrical treatment he had inflicted on recalcitrant soldiers in the First World War. He was rescued by Freud, who helped turn Wagner von Jauregg’s ...”
“... in social issues, and he used sex in his writings as a way of describing power relations. As Peter Wagner demonstrated in Eros Revived (1988), politicised pornography was an 18th-century commonplace. Sade’s pornography, as one would expect from a man who so calamitously lacked the power to refrain, is boringly exaggerated. The interminable and ...”
“... Kollwitz modelled for this image in front of a mirror, sitting naked cradling her young son Peter. Her mouth is pressed to his chest as if, in the words of her friend Beate Bonus-Jeep, she is trying ‘to swallow back into herself the disappearing life that once belonged to her womb’. Peter died in the first months ...”
“... records Nietzsche’s devotional concern for his books. As his friend and helpmeet in publishing, Peter Gast (the familiar pseudonym for Heinrich Köselitz), wrote to him, probably after having seen early versions of passages from Ecce Homo (in a letter not cited in Schaberg’s book): ‘Life and philosophy are the same for you: thus you must tell your life ...”
“... to the general. This applies just as much to the self-confessed puritans of the genre (Gluck, Wagner, Birtwistle) as to the unapologetic sensualists (Handel, the Italians, Strauss): perhaps only Debussy in Pelléas et Mélisande has successfully transcended this fundamental crudity of impact. In the period since Brecht’s strictures, however, a nouvelle ...”
“... a new idea. It is easiest to make such changes when the playwright is dead. John Osborne and Peter Nichols did not want Miller to alter their plays, but he was more fortunate when he directed Robert Lowell’s version of Aeschylus’s Prometheus Bound. Since Miller did not want to set this play in the Caucasus, with an actor tied to a rock, he ...”
“... Transposition of what? Foster begins his book with the pronouncement of the architects Alison and Peter Smithson: ‘Today we collect ads.’ For the first Pop artists this was an article of faith. Avid bottom-feeders, they scraped up regular doses of tabloid violence and pulp pornography, raiding the corner shop for its comic books and scouring flea markets ...”
“... of characters but the central figure, and one of the few still alive at the end, is 12-year-old Peter, who the author readily admitted was a self-portrait, not least in his reluctance to be a Hitler Youth. The family home is a large estate, the Georgenhof, once affluent, less so since the war began, its vistas somewhat spoiled by the housing development ...”