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“... the idea when it occurred to him that they might then go on to incinerate his beloved Reform Club. Peter Stansky has written a double biography of Philip and his sister Sybil, who married the Marquess of Cholmondeley and brought her own great art collection to fill a few of the gaps at his house at Houghton left by the sale of Sir Robert Walpole’s ...”

“... about Orwell, including the memoir of Richard Rees and The Unknown Orwell by William Abrahams and Peter Stansky (lamed by the late Soni Orwell’s refusal of permission to quote), and, more recently, the expansive Life by Bernard Crick, at first authorised by the widow to emphasise her rejection of Stansky and ...”

“... but it was still unnerving to have one’s private life put on display. A year earlier Peter Stansky and William Abrahams had published Journey to the Frontier, a joint Life of Julian Bell and John Cornford, who died in Spain a few months before Bell. It is the product of a more decorous school of biography: they didn’t seek out information ...”

“... and the myth that makes him always virtuous in his style, as in his life, does him a disservice. Peter Stansky and William Abrahams have added another myth to those already wrapped round Orwell. In their previous book, The Unknown Orwell, and again in Orwell: The Transformation, they postulate two characters who inhabit in sequence the same body: first ...”

“... suggests that this extended historical episode is essentially over. As Susan Pedersen and Peter Mandler emphasise in the introductory essay of After the Victorians, the volume is intended to challenge the once conventional assumption that the early decades of the 20th century saw a decisive break with the values of the Victorian era, the assumption ...”

“... regretted that I failed in those laborious 473 pages to grasp Orwell’s character as well as Mr Peter Lewis did in his recent and sprightly picture book (which, incidentally, largely reflected Sonia’s view of the true George, though no reviewers noticed this). Perhaps so. I’m only irritated that Koestler failed to notice why I was so explicitly ...”