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Strange, Angry Objects

Owen Hatherley: The Brutalist Decades, 17 November 2016

A3: Threads and Connections 
by Peter Ahrends.
Right Angle, 128 pp., £18, December 2015, 978 0 9532848 9 4
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Raw Concrete: The Beauty of Brutalism 
by Barnabas Calder.
Heinemann, 416 pp., £25, April 2016, 978 0 434 02244 1
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Space, Hope and Brutalism: English Architecture 1945-75 
by Elain Harwood.
Yale, 512 pp., £60, September 2015, 978 0 300 20446 9
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Concrete Concept: Brutalist Buildings around the World 
by Christopher Beanland.
Frances Lincoln, 192 pp., £18, February 2016, 978 0 7112 3764 3
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This Brutal World 
by Peter Chadwick.
Phaidon, 224 pp., £29.95, April 2016, 978 0 7148 7108 0
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Modern Forms: A Subjective Atlas of 20th-Century Architecture 
by Nicolas Grospierre.
Prestel, 224 pp., £29.99, February 2016, 978 3 7913 8229 6
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Modernist Estates: The Buildings and the People Who Live in Them 
by Stefi Orazi.
Frances Lincoln, 192 pp., £25, September 2015, 978 0 7112 3675 2
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Architecture an Inspiration 
by Ivor Smith.
Troubador, 224 pp., £24.95, November 2014, 978 1 78462 069 1
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... For us​ ,’ Steffen Ahrends told his son Peter, who was born in Berlin in 1933, ‘the history of architecture started with the Soviet 1917 revolution.’ It wasn’t entirely a joke. For many designers in the Weimar Republic, and for subsequent generations of modernist hardliners, 1917 had made possible a reconstruction of life on collective, egalitarian and, above all, planned lines ...

At the V&A

Esther Chadwick: Opus Anglicanum, 5 January 2017

... contained within pierced or ‘barbed’ quatrefoils. They show the martyrdoms of Saints Stephen, Peter and Paul, the Virgin and Child enthroned, and the Crucifixion. When the priest turned east to celebrate the consecration of the sacrament, and raised his arms aloft with the bread and wine, Christ’s living body and blood were linked to his image hanging ...

Is there another place from which the dickhead’s self can speak?

Marina Warner: The body and law, 1 October 1998

Bodies of Law 
by Alan Hyde.
Princeton, 290 pp., £39.50, July 1997, 0 691 01229 6
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... in the Hunterian Museum. She inspired one of the last, unfinished works of the artist Helen Chadwick, who wanted to restore the unnamed pigmy to history, memory and human status as a person – to personhood, in short. University museums and hospital teaching departments are richly stocked with such specimens: a whole black man in a glass box in ...

In Bexhill

Peter Campbell: Unpopular Culture, 5 June 2008

... head by William Turnbull, for example, or the alien-like figure standing on three prongs by Lynn Chadwick – is to remember the circumstances in which he first saw them. ‘No matter how hard I try to supplant the thought, the principal association the sculptures I have selected bring to my mind is with childhood trips to concrete New Towns and their ...

In a Garden in Milan

Adam Phillips: Augustine’s Confessions, 25 October 2018

Confessions: A New Translation 
by Augustine, translated by Peter Constantine.
Liveright, 329 pp., £22.99, February 2018, 978 0 87140 714 6
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... to want, by the powers that be (the society, the body). ‘In over one and a half millennia,’ Peter Constantine writes in the introduction to his compelling new translation, ‘Confessions has maintained a persistent and intense relevance for readers throughout the world.’ And part of this relevance is that it is as much a book for unbelievers as for ...

Political Purposes

Frances Spalding: Art in postwar Britain, 15 April 1999

New Art New World: British Art in Postwar Society 
by Margaret Garlake.
Yale, 279 pp., £35, July 1998, 0 300 07292 9
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Cultural Offensive: America’s Impact on British Art since 1945 
by John Walker.
Pluto, 304 pp., £45, September 1988, 0 7453 1321 3
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... of Europe’. In a 1952 essay for the Venice Biennale on the forged metal sculptures of Chadwick, Armitage and Butler, Herbert Read wrote that they displayed the ‘geometry of fear’ and found allusions to snares, teeth and claws. In the wake of the atom bomb and revelations about the concentration camps, Read’s description helped to determine ...

Getting it right

Tam Dalyell, 18 July 1985

The Ponting Affair 
by Richard Norton-Taylor.
Cecil Woolf, 144 pp., £5.95, June 1985, 0 900821 74 4
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Who Killed Hilda Murrell? 
by Judith Cook.
New English Library, 182 pp., £1.95, June 1985, 0 450 05885 9
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... Simply a statement of fact. I am in a position to know. However right Paul Rogers, Lee Chadwick, Arthur Gavshon and I may have been, the fact is that without the sustained interest of Guardian readers, and, in my case, the Labour Party up and down the country, there was no way which the professors of Belgrano Studies, as David Frost has christened ...

Swiping at Suburbs

Andrew Saint: The course of British urbanism, 31 March 2005

Building Jerusalem: The Rise and Fall of the Victorian City 
by Tristram Hunt.
Weidenfeld, 432 pp., £25, June 2004, 0 297 60767 7
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... Carlyle, Disraeli, Roscoe, Dickens, Cobden, Bright, Ruskin, Macaulay, Eliot, Gaskell, Arnold, Chadwick and Toulmin-Smith are all there; and so are Tocqueville, Guizot and Sismondi. At some cost to coherence, the star-studded cast rolls by. Nor are the arts forgotten. One reason Hunt so fiercely champions Britain’s old industrial cities is that he loves ...

Lab Lib

M.F. Perutz, 19 April 1984

Rutherford: Simple Genius 
by David Wilson.
Hodder, 639 pp., £14.95, February 1984, 0 340 23805 4
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... drawn from one of the very few among his collaborators who are still alive, the Russian physicist Peter Kapitza: Many admire Rutherford’s intuition which told him how to set up the experiment and what to look for ... Intuition is usually defined as an instinctive process of the mind, something inexplicable which subconsciously leads to the correct ...

Successive Applications of Sticking-Plaster

Andrew Saint: The urban history of Britain, 1 November 2001

The Cambridge Urban History of Britain. Vol. III: 1840-1950 
edited by Martin Daunton.
Cambridge, 944 pp., £90, January 2001, 0 521 41707 4
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... to finish. ‘Why have so many of Britain’s great cities fared so badly in the 20th century?’ Peter Clark, the general editor of the series, asks in his preface. Turn the page, and Martin Daunton’s introduction descends with unconcealed relish into the ‘decay, corruption, stench and stickiness’ of the early Victorian city – a hell from which the ...

Defoe or the Devil

Pat Rogers, 2 March 1989

The Canonisation of Daniel Defoe 
by P.N. Furbank and W.R. Owens.
Yale, 210 pp., £20, February 1988, 0 300 04119 5
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The ‘Tatler’: Vols I-III 
edited by Donald Bond.
Oxford, 590 pp., £60, July 1987, 0 19 818614 2
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The ‘Spectator’: Vols I-V 
edited by Donald Bond.
Oxford, 512 pp., £55, October 1987, 9780198186106
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... from the 1930s to the 1960s. We learn of William Lee, sanitary reformer and colleague of Edwin Chadwick, who found his match in the equally expansive (canon-wise) James Crossley – a more cautious and cunning operator, the extent of whose activities as a corpus-sweller has not been fully apparent until now. Furbank and Owens suggest that Chalmers was both ...

What’s It All About?

Tom Lubbock, 6 April 1995

Shark-Infested Waters: The Saatchi Collection of British Art in the Nineties 
by Sarah Kent.
Zwemmer, 270 pp., £19.95, November 1994, 0 302 00648 6
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The Reviews that Caused the Rumpus, and Other Pieces 
by Brian Sewell.
Bloomsbury, 365 pp., £12.99, November 1994, 0 7475 1872 6
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... were, to a lad, left out. In the summer the British Art Show arrived in London. In the meantime, Peter Fuller had died in a car crash. Fuller never lived to type out the words ‘Damien Hirst’. He died before the Turner Prize began to favour younger artists, before Saatchi started collecting the new art of the Nineties. But his is still a spectral presence ...

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