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“... When Alcibiades, in that dialogue of Plato’s entitled The Symposium, praises his master Socrates, beyond all doubt the prince of philosophers, he compares him, amongst other things, to a Silenus. Now a Silenus, in ancient days, was a little box, of the kind we see today in apothecaries’ shops, painted on the outside with such gay, comical figures as harpies, satyrs, bridled geese, horned hares, saddled ducks, flying goats, stags in harness, and other devices of that sort, light-heartedly invented for the purpose of mirth, as was Silenus himself, the master of good old Bacchus ...”

“... Historians are always claiming that their particular topic of research has been unjustly neglected by their predecessors. The claim, usually exaggerated, occasionally turns out to have some justification. Yet it is rarely so obviously justified as in the case of Professor John Elliott’s rediscovery of a major Spanish statesman of the 17th century, the effective ruler of Spain for more than twenty years and the contemporary, the rival and the opponent of Cardinal Richelieu ...”

“... Patrons are patrons,’ a citizen of Florence wrote to the Grand Duke, Ferdinando de’Medici, in 1602: ‘the patron is accountable to no one.’ But what exactly was a patron in Florence or elsewhere in Renaissance Italy? Despite the existence of a large literature on art patronage, the question received few direct answers till the publication in 1981 of a book focused on England: Patronage in the Renaissance, edited by Guy Lytle and Stephen Orgel ...”

“... One of the most lively debates currently engaging the attention of historians, more or less the world over, concerns the so-called ‘revival of narrative’. Ought written history to concentrate on the story of great events, or is the description or analysis of structures an equally important part of the historian’s business? At a time when the pendulum seems to be swinging back to narrative, it is encouraging to find a scholar as gifted as Simon Schama moving in the opposite direction ...”

“... And if you know of any impediments, either of consanguinity, affinity or spiritual relationship, or of any other reason why these two should not be joined in holy matrimony, you are bound to declare the same to us as soon as possible.’ As a child, hearing the banns read out in church, I used to wonder idly what kind of ‘other reason’ there might be ...”

“... The rise of the professional art historian in the later 19th century has been a mixed blessing. Making paintings, statues or buildings are activities which are as much a part of history as making treaties, making motorcars, making war, making love, or making the crops grow. It was good to have art taken seriously by historians of the calibre of Heinrich Wölfflin, but a pity to have it subtracted from the territory of the ordinary historian, the general practitioner ...”

“... century, Pope Paul V had his family name, BORGHESIUS, inscribed in equally large letters on St Peter’s, although he had not been responsible for most of the rebuilding. Alexander VII’s self-advertisement appears rather less blatant, but this was due less to his natural diplomacy than to the accident of his dying before he could have the Pantheon ...”

“... Like sociology and anthropology, the study of art and literature, especially the art and literature of the Renaissance, seems to be taking a historical turn in the Eighties. To a historian like myself this trend is obviously encouraging. Indeed, for a historian the problem is not so much to explain the rise of the so-called ‘New Historicism’ associated with Stephen Greenblatt and his friends and followers, as to account for the hostile reactions to it ...”

“... harder than their English counterparts to win lasting admiration. The efforts of Louis XIV, which Peter Burke chronicles in his new book, were truly staggering, even by the standards of Early Modern monarchy. Images of the King were commissioned, Burke recounts, in ...”

“... science, crammed with all the riches of the past and of the future.’ And so we move on to Peter Burke, whose book ‘is written for, as well as about, both sociologists and historians’. He defines sociology as ‘the study of human society, with the emphasis on generalising about its structure. History may be defined as the study of human ...”

“... with gender, which involves the perception and social construction of those differences. And as Peter Burke points out in his foreword to this short but intriguing book, even historians of gender (and there are now a few of them around) have not made much of the subject of transvestism as it is explored by these two Dutch historians. Yet, as ...”

“... could not bring himself to mention the actual occupation of so undignified a member of society. As Peter Burke points out in a friendly but sceptical contribution to People’s History and Socialist Theory, under such circumstances ‘people’s history’ was a contradiction in terms. We are a long way from Tacitus, upon whom time has taken its ...”

“... as modern as he looks’. In the 74 pages of his contribution to the ‘Past Masters’ series, Peter Burke has to select and condense. He writes clearly on the main topics: scepticism, religion, politics and so on. There is much good sense in this little book, which strives to be fair to opposing views. There are some errors: the prologue to Raimund ...”

“... slow history of how the European aristocracy finally learned to behave in an aristocratic way. Peter Burke treats The Book of the Courtier as an ‘open text’, whose dialogue form and apparent tensions and contradictions may reflect its author’s refusal to offer a simple moral, as well as the long time that he spent at work on it and the changes ...”

“... but he does not bang on about it. He is telling a story; his mode, to borrow a phrase from Peter Burke, is thick narrative. First he sets up his characters: Abelard himself; his enemy Bernard of Clairvaux, saint and, on Clanchy’s showing, insufferable rhetorician; his lover, short-lived wife and long-lived correspondent Heloise, niece or ...”